Meet director Roselynde LeBlanc of ‘Can You Bring It,’ Bill T. Jones doc
‘Can You Bring It’, courtesy Kino-Lorber films This most compelling image is from a dance work dating from 1989, Bill T. Jones’s “D-Man in the Water,” which was a tour de force group work Jones fashioned in response to the AIDs epidemic. So why does that matter now? We have a new pandemic to worry ...
A chat with The Broad Stage’s new director Wiley Hausam
Prominent in the crowded field of Los Angeles performing-arts houses is The Broad Stage, where a lively smorgasbord of arts offerings forged a high-profile presence since its debut — in an enviable Santa Monica location — in 2008. Wiley Hausam, a newcomer to Los Angeles, will soon take up the mantle of artistic and executive ...
At CAP UCLA, the ‘B’s have it!
To be or not to be, that was the question Center for the Art of Performance at UCLA artistic director Kristy Edmunds pondered in fashioning her arts-forward performance series for the 2014-15 season. So much so that the curator tilted in one direction: toward artists with names starting with the letter ‘B.’ Yes, a barrage ...
Bill T.’s “D-Man in the Waters” revived by Ailey @ Segerstrom
Mar
26
2014
On offer this weekend at Segerstrom Center for the Arts from Alvin Ailey American Dance Theater: a major reconstruction of Bill T. Jones’s AIDS-related dance work, “D-Man in the Waters.“ The controversial choreographer created “D-Man” in 1989 at the height of the auto-immune-disease pandemic that robbed our world of many lives nonsensically but hit the ...
Bill T. Jones / Dance Theater Workshop merger 1
Apr
4
2010
A major merger in the New York dance world is in the works. The 25-year-old Bill T. Jones/Arnie Zane Dance Company is in final negotiations to merge with Dance Theater Workshop. The two groups will combine their boards and staff into one entity with a new name and mission, though the final details are still ...
Anna Halprin, Bill T. Jones, Hofesh Shechter
The big event of a busy fall season has been the historic reconstruction of Anna Halprin‘s “Parades & Changes,” an influential landmark of postmodern dance dating from 1965-67 featuring a soundscore by electronic music pioneer Morton Subotnick. The piece builds on improvisation on a set of movement “scores” — a Halprin key word that she ...