Vintage Hollywood photos of Bison Archives move to Academy 1

Film · Visual arts
Since we launched arts·meme nearly four years ago, we have enjoyed the privilege of sharing with our readers several photos of early Hollywood from the collection of film historian, Marc Wanamaker. Marc has shared unstintingly from his Bison Archives collection, letting us eyeball wonderful images of: Anna Pavlova‘s first and only foray as a Universal ...

James Dean, moody, on location in Griffith Park 2

Architecture & Design · Film
“Location Filming in Los Angeles,” a wonderful new book written by arts·meme pal, Marc Wanamaker in collaboration with Karie Bible and Harry Medved, provides a delicious historic tour of location shooting all ’round our fair city. In the rare promotional photo above, James [“You’re tearin’ me apart!“] Dean broods while filming “Rebel Without a Cause” ...

Top this, Hollywood! The making of ‘Top Hat’ (1935) 2

Dance · Film
artsmeme is lucky to have good friends who collect fabulous Hollywood dance photos like the one above, given to us by Bison Archive’s Marc Wanamaker. It’s a soundstage shot of the making of the superlative movie-musical from RKO, “Top Hat” (1935). In our photo, director Mark Sandrich, in his own swank chapeau, directs a brief ...

Fred & Ginger (& Mark) do ‘The Continental’ 1

Dance · Film
mark sandrich, fred astaire do the continental, but not cheek to cheekphoto: MARC WANAMAKER/BISON ARCHIVES The wonderful shot of director Mark Sandrich and Fred Astaire palling around at RKO Studios comes courtesy of artsmeme friend Marc Wanamaker. Thank you, Marc! The director and dancer are collaborating on a crazy-long, Art Deco-drenched, epic dance sequence for ...

Learn the rich story of Hollywood’s “Poverty Row” studios

Film
We always enjoyed hearing from our friends at Larry Edmunds Bookshop.The Lare is hosting a fun book talk next Saturday by two co-authors, friend of arts·meme Marc Wanamaker and historian E.J. Stephens. The duo’s new paperback tome, “Early Poverty Row Studios” is the latest Arcadia Publishing Images of America volume.Writes “Larry Edmunds:” The history of ...

Historic Raleigh Studios to host “Photo Independent”

Architecture & Design · Film · Visual arts
Photo Independent, the artist-only fair for photographic artists, collectors and art professionals, rolls out this weekend at an unusual venue: Hollywood’s Raleigh Studios. An amazing and charming movie complex that dates to the ‘teens and comprises fourteen sound stages, Raleigh occupies a distinct niche of Hollywood dream-factory history. Paired with Paramount Studios, which sits to ...

Pavlova’s “Dumb Girl,” her sole Hollywood hurrah

Dance · Film
We recently wrote about Anna Pavlova’s foray to Hollywood in 1915 to star in “The Dumb Girl of Portici” at Universal Pictures under female director Lois Weber. That’s Pavlova getting manhandled on the left. At the far right stands Weber, megaphone in her hand. Espying the chaos, bedecked in jodphurs and kneeboots, is Weber’s husband, Philips ...

Uncle Carl Laemmle’s two-bit boxed lunch 1

Film
From the get-go — for Universal Pictures that would be 1909 — film industry pioneer “Uncle” Carl Laemmle, a keen entrepreneur, allowed visitors on film sets. In the early days of Los Angeles film making, shooting took place in open air. Who needed lights? Indoor production came later. To accommodate curiosity seekers, Laemmle erected a ...

Why film community matters

Film
In this coming Sunday’s Los Angeles Times Calendar section you will find my article about choreographer Jack Cole who coached Marilyn Monroe in movement over the course of six of her films. Most famously, he choreographed “Diamonds are a Girl’s Best Friend” from Gentlemen Prefer Blondes. Jack Cole also choreographed “Put the Blame on Mame” for Rita Hayworth in Gilda, at ...

Theodore Kosloff, ballet instructor 3

Dance · Film
The photo above (click on it for detail) shows the talented and charismatic Russian actor-dancer Theodore Kosloff coaching a barre-ful of Paramount Studio chorus girls circa 1922. The ballet master is giving hands-on instruction to silent film star Betty Compson with whom he co-starred in The Green Temptation that same year. Kosloff’s ballet training of Compson led to this ...