Osipova in premiere as Isadora Duncan at Segerstrom
How will the California-born Isadora Duncan be remembered 50 years from now? As the woman whose barefoot, Greek-vase inspired abandon birthed the modern dance movement? Or for her shocking, free-love lifestyle in Europe and Russia and early tragic death – decapitated by scarf while riding in a Bugatti sports car? To the uninitiated, and by ...
REVIEW: Liza Minnelli, Michael Feinstein enchant at Segerstrom 5
I never saw Judy Garland in performance. I was fifteen in 1969 when she last played in Copenhagen. Now I wish I had gone. But Saturday night, I got a frisson of that Garland feeling, when in a first, I attended Liza Minnelli’s show at Segerstrom Center for the Arts. The legendary singer delivered a ...
Faster than a speeding bullet … Liza Minnelli soon at Segerstrom
That’s how she was marketed, in 1966, by The Persian Room at the Plaza Hotel — as the soaring star that she was. Liza Minnelli, born on March 12, 1946 to Judy Garland and movie director Vincente Minnelli, went on to a very public, very distinguished career as a singer/dancer/actress. We’ll catch up with Liza ...
Yes, ABT, we like sugar plums. But also ‘Nutcracker’ cookies!
Dec
11
2017
Where cookies are concerned, we discreetly morph from ‘fussy critic’ to the more relaxed mode of ‘indiscriminate gobbler.’ Gosh, these ballet-themed cookies (photos mixed with those of our favorite ABT dancers) make our mouths water. They are the charming creation of Blackmarket Bakery whose award-winning chef Rachel Klemek celebrates American Ballet Theatre’s production of “The ...
REVIEW: Kimin Kim brings action-hero explosiveness to Mariinsky Schéhérazade 2
I admit that prior to Sunday night I had never seen a full-length, fully produced staging of Michel Fokine’s Schéhérazade — including lengthy orchestral prelude, sets, costumes, the works. The Mariinsky Ballet and Orchestra delivered their version this weekend at Segerstrom Center for the Arts as part of an all-Fokine program. At Sunday’s performance, the ...
Ballet magic. Misty Copeland, Roberto Bolle open for La Scala @ Segerstrom
Jul
28
2017
Our friends at Segerstrom Center for the Arts have a rare selling-out situation in their beautiful Costa Mesa arts campus this weekend. Tonight, and continuing through the weekend, the La Scala Ballet opens a weekend run of “Giselle.” Dancing the leading roles of Giselle and Albrecht are the hot hot hot pairing of Misty Copeland ...
Populist Eifman Ballet en route to Southern California
Choreographer Boris Eifman is the Donald Trump of the ballet world. His fans love him for his provocative, populist appeal while his critics find him unsophisticated and far from coherent. And then there’s the Russia thing. Eifman is Russian and his narrative ballets, while modernist in story line, have the old-school Bolshoi tendency to go ...
Who was Olga Spessivtseva?
Jun
4
2017
Olga Spessivtseva (1895 – 1991) was the quintessence of a Mariinsky (Kirov) Ballet romantic ballerina whom George Balanchine famously called “a beautiful diamond, cool, distant, and perfect.” The legendary Russian ballerina, who died in the United States, is the subject of choreographer Boris Eifman’s full-evening work, Red Giselle, coming soon to Segerstrom Center for the Arts. ...
Ratmansky’s frothy ‘Whipped Cream’ casts @ Segerstrom
Mar
2
2017
There are all kinds of considerations to weigh — and this is great fun for balletomanes — in selecting a ballet performance. The focus of this tough decision is the big world premiere at Segerstrom Center for the Arts in Orange County of Alexei Ratmansky’s new full-evening ballet, “Whipped Cream.” The superb Pacific Symphony will ...
Review: Natalia Osipova rules the boy’s club of “Tour de Force III” 2
The latest edition of packaged ballet entertainment wrangled by impresario Sergei Danilian, the force behind “Tour de Force III” presented Saturday night at the Segerstrom Center for the Arts, brandished a sorry statistic. That each of the evening’s four repertory items was the creation of a male choreographer unfortunately goes without saying. The marginalization, no, ...