Jack Cole’s magic for Mitzi Gaynor on view in rare screening of “The I Don’t Care Girl” by UCLA Film & Television Archive August 4. Gaynor to appear in-person. 7
I am very pleased to announce my participation in a truly wonderful celebration of dance on film at the Billy Wilder Theater In Westwood on Saturday August 4, 2012. It’s sponsored by the UCLA Film & Television Archive. On that night, as a community, we will view the rare and out-of-circulation Twentieth Century Fox movie ...
Oh la la! Jack Cole’s “Les Girls” from “Les Girls” (1957) 1
The (by then) hugely experienced dance-on-film man Jack Cole choreographed the brilliant dance sequences in “Les Girls,” a movie musical directed by George Cukor in 1957. “Les Girls” is included in the upcoming TCM broadcast “Choreography by Jack Cole” on Turner Classic Movies September 10, 2012. I will co-host the evening with Robert Osborne. “Les ...
“Choreography by Jack Cole” on TCM September 10 4
On Monday, September 10, 2012 Turner Classic Movies will dedicate an evening to the brilliant creativity of Jack Cole. The evening features four films choreographed by Cole — he himself dances in two of them. I co-host the September broadcast with TCM’s Robert Osborne. Films on the slate: Tonight & Every Night (1945) – 8 ...
A horse is a good clean animal, says Betty Grable 2
Check out Betty Grable in “Meet Me After the Show” (1951): Dancing in silhouette, on the platform: Jack Cole, who staged the number. Paired with Cole for a dance-y horse race is the choreographer’s muse and assistant Gwen Verdon. This we learn from the horse’s mouth … er… from Academy of Dance on Film founder ...
A masterpiece of dance on film: Jack Cole’s “Happy Ending”
The dance sequence below, choreographed by the great Jack Cole (he dances in it as well) closes Twentieth Century Fox’s “On the Riviera” (1951). Every element of “Happy Ending” rings true. Not a single step is wrong or jarring; on the contrary, all is balanced and golden and smart and right. It’s evidence of Cole’s ...
Wherefore art thou, o Hollywood choreographer? 2
[mouse over images for captions] Say you are a film producer, and you have a project that gets a green-light. There’s a dance sequence in the script and you need to hire a choreographer. Using the prime professional database of the film and television industry, IMDB Pro, you will be hard pressed to find one. ...
Jack Cole rocks Rita Hayworth’s world in “Tonight and Every Night” (1945) 1
The ditty she sings is inane (remember, it was the War!) and the costume is not her greatest. But Rita Hayworth does her thing prettily enough. Life changes when a monster-dancer joins her on stage — Jack Cole. Choreographers: Pay attention @ 1:43. That is how to make an entrance — sliding in on your ...
Marie Bryant put a bun in Betty Grable’s oven 5
The silken jazz dancer, Marie Bryant (1919-1978), seen here jiving with the great Harold Nicholas, was, for a time, rehearsal assistant to Jack Cole. That’s interesting. Cole’s performance group was all white. It wouldn’t be otherwise. But he clearly relied on Bryant for special tasks. Asked what she did for Jack Cole, Bryant replied, “I ...
John Singer Sargent dresses Rita Hayworth for “Put the Blame on Mame” 2
“The designer Jean Louis, supposedly inspired by John Singer Sargent‘s famous portrait of the décolleté Madame X, created for Miss Hayworth a fetishistic black satin strapless gown, with elbow-length gloves, and the dance director Jack Cole devised the strip-tease routine in which she flung those gloves to her audience. The director, Vidor, expected the filming ...
Jack Cole invites you to a ball 4
From MGM’s “The Merry Widow” (1952) Jack Cole’s beautifully calibrated waltz sequence pours forth. Minutes and minutes of on-screen dancing. Audiences apparently used to like this; I guess they don’t anymore. Enjoy! Cole’s gigs at MGM were fewer then at Columbia or Fox (at MGM: Kismet twice: 1944, 1955, Les Girls 1957, Designing Woman 1957). ...