What art looks like 1
The snapshot at left captures a moment that is precious, ephemeral, and intimate. Three artists, each immersed in private thought, prepare to perform. [Click for detailed view.] It’s a backstage photo of Ballet Alicia Alonso, now the Cuban National Ballet, dating from the 1948-49 season. Then, a spirited young American ballerina, Edith Brozak McMann, danced ...
Serenade: C’est un ballet abstrait.
Everything sounds better in French. That’s a given. But beyond sounding beautiful, the lovely and poetic program note posted below tackles the hard job of putting the ephemeral into words. What’s the subject? “Serenade,” a ballet that in its making, and in the viewing of it, touches God. C’est un ballet abstrait. C’est- á-dire, sans intention ...
America’s greatest immigrant: the Georgian, Giorgi Melitonovitch Balanchivadze 1
Sep
2
2011
What a man, what an artist! It’s not a glower, it’s not a gloat; what on earth is that expression? [click on photo for better view.] It’s brains, bearing, and class. It’s the look of pure culture. But whatever was going through his mind, there stood Balanchine, majestic Georgian gentleman that he was, photo courtesy ...
If it’s August, it’s NYCB Nutcracker time in Los Angeles 2
May
14
2011
This fascinating poster — click on it for detail — dating near to 1954 when Balanchine first staged the Nutcracker [Maria Tallchief as Sugar Plum Fairy, Tanaquil LeClercq as Dewdrop] — comes from the collection of Edith Brozak McMann, a former New York City Ballet dancer. It may interest Los Angeles dance fans of a ...