“Je ne suis pas contente de tout,” says Claude Bessy. 1
The film I loved most of the four I saw at the Dance Camera West festival in June was Fabrice Herrault’s beautifully constructed documentary about his former ballet instructor, Claude Bessy, Les lignes d’une Vie (Traces of a Life). Herrault, a dance professor at the Juilliard School and a respected private coach, has made one ...
Fred Wiseman, documentary film’s wise man
Last fall, we were spared the euro:dollar exchange rate and whisked back stage at the Paris Opera Ballet via Frederick Wiseman’s glorious — and rigorous — documentary “La Danse.” Months later, I saw Wiseman’s “Meat” at REDCAT. Amazing. Mr. Wiseman will be honored with a lifetime achievement award from Loyola Marymount College’s School of Film ...
“The Art of the Steal” @ LACMA
The Barnes Foundation, established in 1921 by collector Dr. Albert C. Barnes, holds one of the world’s largest collections of impressionist and post-impressionist paintings, valued at 25 billion dollars. The documentary, “The Art of the Steal,” raises provocative questions about money, culture, and ethics as it chronicles the legal and political efforts used to break ...
Shtetl shport 1
Nov
19
2009
Jewish guys are not wimps — never have been. This according to shtetl shpecialist Yale Strom, a San Diego-based documentary filmmaker/photographer, leading ethnographer of klezmer music, and an unbelievably talented klezmer violinist who has taken more than sixty cultural research trips to preserve central European yiddishkeit. In a talk at the Yiddish Cultural Institute, Strom ...
Frederick Wiseman’s love letter to ballet 5
“I love ballet,” admits 79-year-old documentarian Frederick Wiseman, whose rigorous films on hospital management, meat processing, and public housing have given way to late-life examinations of art and the artistic process. “Dance is the creation of something absolutely beautiful,” he says. “Yet it’s not a fixed form. It’s ephemeral. It’s evanescent.” “I’m no expert,” he ...