Gloria Cheng’s garlands for new music in Los Angeles
Nov
12
2018
Ed. note: The great and gracious pianist Gloria Cheng is a guest contributor to the blog, with an excerpt from an essay she herself penned recounting the scene for new music in Los Angeles. “Only in Los Angeles?” was originally published by NewMusicBox and is excerpted with kind permission. Writes Gloria Cheng: It could be ...
Balanchine goes global in City Center festival
The elegant brochure and historical resonance of Balanchine: The City Center Years generated great promise as a highly anticipated event marking the 75th anniversary of midtown Manhattan’s richly dance-historic theater. The six-performance festival (Oct 31 – Nov 4, 2018), which showcased an array of landmark Balanchine works performed on the stage where nearly all had ...
Donald McKayle memorialized in UC Irvine exhibit
Nov
8
2018
This stunning shot of the young dancer, Donald McKayle, is one of many such portraits on display in an exhibit at the University of California, Irvine, where McKayle was a longtime, distinguished Professor of Dance. McKaye, who signature works, “Games” and “Rainbow ’Round My Shoulder” mark his status as an American dance treasure, was also ...
Stuart Hodes’ ‘balancing act’ with Dances for a Variable Population
Nov
7
2018
It’s all a balancing act according to former Martha Graham dancer Stuart Hodes, who in the video above shares the joy and wisdom of continuing to move, move, move into his senior years. This is the premise behind the wildly popular Dances for a Variable Population led by artistic director Naomi Goldberg Haas, a veritable ...
Pharrell Williams: ‘Cease and desist, Mr. President’
In a cease and desist letter sent Monday, October 29, 2016, Pharrell Williams‘ attorney Howard King called on the President of the United States to stop playing the singer’s “Happy” during events. In an act of disgusting insensitivity, the song was played at a rally over the weekend just hours after a gunman killed 11 ...
REVIEW: Heidi Duckler Dance’s fully ‘Loaded’ dock-dance at the Ford
A distant, pulsing whir of ambient music accompanies the sight of a peculiar, tall figure as he rambles toward us. We spy him (or is it a she?) through the half-closed gate (or it a gate ‘half-open’?) at the John Anson Ford Amphitheatre’s loading dock. This creature, dressed in unisex coveralls like a hip garbage ...