“The Counselor” is out of order
The death of Elmore Leonard in August (I wrote about his legacy here) and the arrival of the movie,“Salinger,” provided a useful contrast between two utterly opposed writing careers: J.D. Salinger, self-consciously “literary” and perfectionist; Leonard, happily disobedient to literary niceties, prolific and cool. “The Counselor,” the first original screenplay of Cormac McCarthy — regarded ...
Koehler on Cinema: The Salinger Spectacle
Ever since “The Catcher in the Rye” was published in 1951, America has had a J.D. Salinger problem. It’s partly the author’s own making, but mostly due nation’s relentless quest for the next “Great American Novel,” that always-elusive White Whale of fame, the ultimate American measure of artistic worth. “Catcher” made Salinger famous alright: As ...