REVIEW: Fascinating time-travel with Mark Morris Dance Group at the Joyce Theater 1
numerator, photo: christopher duggan Mark Morris Dance Group was formed in 1980. The Joyce Theater opened doors in 1983. Yet while it has presented dance companies eleven months of the year, the Joyce stage had never hosted a MMDG season until now. So Tuesday’s opening night felt momentous – even historic – as MMDG finally ...
Dancing with deer & birds: Dutch National Ballet’s ‘Frida’ at The Music Center reviewed
The deep fascination with the art and wrenching personal mythology of the great Mexican artist Frida Kahlo (1907- 54) found no better evidence than the fashion worn by the women of Los Angeles at the Dorothy Chandler Pavilion this weekend for “Frida,” the bio-ballet choreographed by Annabelle Lopez Ochoa for the Dutch National Ballet. Donning ...
Magisterial: Neil Young at the Greek Theatre July 10 2023 6
It wasn’t a smooth performance. He hemmed and hawed, he paced. He ambled between an upright Steinway to a grand piano and then to a vintage pump organ. He swapped his harmonica — he had a bunch of them. That made loud clicks in the holder he wore around his neck, as it banged against ...
REVIEW: Private dancer gone public: TINA, the musical, at The Pantages 1
The audience at TINA – THE TINA TURNER MUSICAL was mostly baby boomer. Which was fine by us. Because the audience was rapt. You felt the admiration, the place was oozing with it. With r-e-s-p-e-c-t for a formidable woman of entertainment, a force to be reckoned with: the late, great Tina Turner (1939-2023). The national ...
REVIEW: Under The Nicholas’s watchful eyes: Dance @ The Holden 1
Fayard & Harold Nicholas mural blesses Dance @The Holden The community feeling at the Nate Holden Center for the Performing Arts on Saturday night was so comfortable that at key moments, often in dead silence, an infant in the house gave salient dance shout-outs. It was the second evening of ‘Dance@The Holden,’ a mini-festival curated ...
REVIEW: ‘Rise’: dance film earnestly misses its pointe
The French film En Corps, curiously translated as Rise and presented by Blue Fox Entertainment, is a well-made, earnest, and thoroughly innocuous movie. It will interest anyone who watched Natalie Portman in Black Swan and railed to the heavens, “Why didn’t they cast a real dancer in the role!?” This new film will more than ...
REVIEW: Paul Taylor repertory a miss in Music Center dance-season opener 2
Who signed off on the venerable Paul Taylor Dance Company’s repertory-mix shared with fans at the Los Angeles Music Center this weekend? What should have been a joyous Los Angeles reunion with one of the nation’s longest-lasting dance companies (it dates from 1954!) felt like modern-dance homework. This show, in its totality, did not connect. ...
How to blow up a pipeline – and blow your mind
What end justifies the means? If the end is radical environmental change and the survival of our planet, can violence be justified? In actions against private property, what if life is lost? How To Blow Up a Pipeline, the new eco-political film from Neon, directed and co-written by Daniel Goldhaber (whose last film was the ...
A sculptor’s inner life: Michelle Williams in Kelly Reichardt’s ‘Showing Up’ 2
I was entranced by the generically titled, but otherwise awfully good example of ‘slow cinema,’ Showing Up, directed by down-to-earth filmmaker Kelly Reichardt. This movie, opening April 7, is made by a woman artist; it concerns a woman artist, who is played by Michelle Williams, one of the foremost actresses of our time, in her ...
Charming ‘Moving On’ cast has celebratory premiere-party
the great lily tomlin The new comedy from Roadside Attractions, produced, written, and directed by Paul Weitz (About a Boy; executive producer of Pinocchio) concerns Claire (Jane Fonda) and Evelyn (Lily Tomlin), two estranged friends who meet at the funeral of a third. The two ladies cart decades of baggage — and its not by ...