Mini-movie review: Michael Mann’s ‘Ferrari’

Film · Reviews
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If all you want for Christmas is excellent acting and heart-pounding race-car chases in a complex drama-filled love triangle, then master action movie-maker Michael Mann’s Ferrari (presented by NEON) is waiting in a cinema near you. The excellent Adam Driver heads the cast, channeling Enzo Ferrari’s smoldering intensity while working overtime to master the proper ...

FILM REVIEW: ‘Eileen,’ a movie to haunt you on a cold night

Film · Reviews
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One of the rewards of watching Eileen, directed with a pitch-perfect noir sensibility by William Oldroyd (Lady Macbeth) and presented by Neon, is embracing the unknown. Are we watching a prison break film with an unlikely accomplice? A repressed lesbian love story set in the 1960s? Or is it a violent revenge fantasy fueled by ...

REVIEW: ‘Pal Joey’ presses ahead, at New York City Center ‘Encores’

Reviews · Theater
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My introduction to Pal Joey came at New York City Center in 1995, when the then-new “Encores” series presented the iconic Rodgers and Hart’s 1940 musical with its original Hans Spialek orchestrations restored. The music – which included an old-fashioned overture and a five-minute ballet (a Richard Rodgers specialty in those vintage early musicals) to ...

REVIEW: When opposites attract, Bridgewater & Charlap at CAP UCLA 1

Music · Reviews
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It was a provocative entry to a fall jazz season: singer Dee Dee Bridgewater and pianist Bill Charlap, performing in a duo format at Royce Hall for UCLA’s Center for the Art of Performance. Like a pro wrestling match between a pile-driving heel and a gymnast babyface, it was a potential mismatch too tantalizing to ...

Boy, uninterrupted: Choreographer Alexei Ratmansky in new biography 3

Dance · Reviews
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alexei ratmansky, center, rehearses the sleeping beauty: from rosalie o’connor photo The Boy from Kyiv: Alexei Ratmansky’s Life in Ballet, Marina Harss’s biography of one of the world’s most active choreographers, is just exactly that: a beautifully written, close examination of the many ways in which the 55-year-old artist’s work and life are intertwined. Moreover, her ...

A ‘Hungry Ghost,’ satiated, at Skylight Theatre

Reviews · Theater
It’s everyone’s nightmare … to have a very weird white man, a hermit who lives in the woods, pry apart your sliding-glass doors and invade your crib, your private space, your digs, your boite, your last-ditch barrier of bricks-and-mortar against … people like him. And yet, that’s exactly what happens in Hungry Ghost, a new ...

Made in Los Angeles: dance-manufacturing by Raiford Rogers, Tony Testa

Dance · Reviews
Los Angeles has long been an industrial hub; over this city’s relatively youthful history, we’ve been a maker of stuff: first oranges and lemons; then a film industry begun on a wooden platform under the noonday sun; next, aerospace and widget manufacturing to prosecute a world war and man’s first step on the moon; then ...

Review: Restive political offspring find romance in ‘Red, White & Royal Blue,’ the movie

Film · Reviews
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Anyone who read Casey McQuiston’s best-selling 2019 novel, Red, White & Royal Blue, or who continues to be thoroughly demoralized by all-things-MAGA, will be thrilled to stream this rom-com/ alternate-reality/LGBTQ fantasy-fairy-tale produced by Amazon Studios and directed by Matthew Lopez (the acclaimed playwright of The Inheritance). The story imagines a world in which the son ...

REVIEW: Fascinating time-travel with Mark Morris Dance Group at the Joyce Theater 1

Dance · Reviews
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numerator, photo: christopher duggan Mark Morris Dance Group was formed in 1980. The Joyce Theater opened doors in 1983. Yet while it has presented dance companies eleven months of the year, the Joyce stage had never hosted a MMDG season until now. So Tuesday’s opening night felt momentous – even historic – as MMDG finally ...

Dancing with deer & birds: Dutch National Ballet’s ‘Frida’ at The Music Center reviewed

Dance · Reviews
The deep fascination with the art and wrenching personal mythology of the great Mexican artist Frida Kahlo (1907- 54) found no better evidence than the fashion worn by the women of Los Angeles at the Dorothy Chandler Pavilion this weekend for “Frida,” the bio-ballet choreographed by Annabelle Lopez Ochoa for the Dutch National Ballet. Donning ...