The ever-charming Velaslavasay Panorama, located in L.A.’s Pico-Union neighborhood, was the site of media art scholar Machiko Kusahara’s talk, “Panorama-kan of Meiji Japan,” on a recent scholarly Saturday night.
Dr. Kusahara discussed the popular entertainment halls — called panorama-kan in Japanese. They were a “craze,” to borrow the lecturer’s expression, from 1890-1910.
Dozens of the rotundas sprang up all over Japan — in parks or on the grounds of Buddhist temples, as a means of pre-cinema popular entertainment. A lovely moment for painters, panoramas were in-the-round oil paintings, scenic tableaux, commonly depicting historical events. In Meiji-era Japan, Dr. Kusahara says, panoramas performed a propaganda function by inculcating the Japanese population in Western ideas and culture.
L.A.’s own panorama hall, Velaslavasay, the talented impresario Sara Velas has transformed an old movie house, the Union, into a pleasure dome for exhibiting the weird, kooky and sideways.A memorable recent Panorama program screened Lewis Klahr’s early inventive films.
Post-performance receptions in the Velaslavasay’s well-tended urban garden offer the serious-minded audience themed refreshments. At a North Pole exploration lecture a few months ago, Sara served beef jerky and blubber.
Climbing the spiral staircase to visit the 3-D panorama is de riguer. Now on view is “Effulgence of the North,” an Antarctic-inspired installed environment, replete with eerie lighting and ambient sound … icebergs cracking apart … the honking of seals …genuinely cold and creepy. I find it kind of terrifying.
Dr. Kusahara, a collector as obsessed as many in her audience, is curating the upcoming UCLA show, “Gadget Okay.” The way-cool name makes us want to attend.
This is really interesting…. I love the idea of the old Ukiyo-e paintings that showed different vantage points of a mountain or landscape spaced out on a single scroll. This seems directly related to that. Thanks for posting!