REVIEW: When opposites attract, Bridgewater & Charlap at CAP UCLA 1
It was a provocative entry to a fall jazz season: singer Dee Dee Bridgewater and pianist Bill Charlap, performing in a duo format at Royce Hall for UCLA’s Center for the Art of Performance. Like a pro wrestling match between a pile-driving heel and a gymnast babyface, it was a potential mismatch too tantalizing to ...
REVIEW: Cécile McLorin Salvant’s singular jazz style, at Royce Hall
While she’s no stranger to Southern California audiences, vocalist Cécile McLorin Salvant’s show presented by CAP UCLA’s Royce Hall on January 26 reinforced her status as a one-of-a-kind singer. Through her idiosyncratic artistry, willingness to indulge the moment, and her genial manner, Salvant charmed and thrilled the near capacity of Royce’s floor. In the broader ...
Tanowitz observed: critic’s notes on ‘Four Quartets’ at CAP UCLA
An artsy crowd showed up at Royce Hall Sunday afternoon to see Four Quartets, no doubt because of the rapturous reviews it got in London and New York and because of its heady combination of the arts: literature (TS Eliot’s poem of the title read with earthy finesse by Kathleen Chalfant); modernist painter Brice Marden’s ...
‘Disappearing guitars’ of Bill Frisell & Julian Lage @ CAP UCLA
Guitarist Bill Frisell has proven himself as one of the most interesting conceptualizers of the past twenty years or so in jazz. His albums are a continual source of delight and amazement, as he takes his audience down one musical rabbit hole or another. Whether he’s playing his own original scores to Buster Keaton’s silent ...
Music in the key of joy: bossa nova with Sergio Mendes @ CAP UCLA 1
Sergio Mendes, Bebel Gilberto, Royce Hall Nov 16 In 1966, rock and soul dominated American pop music charts. But there was room for the infectiously swinging “Mas Que Nada”—the first international hit song in Portuguese. If Stan Getz and Joao Gilberto opened the door with “The Girl From Ipanema,” Sergio Mendes put an authentic Brazilian ...
Jazz gladiator Joshua Redman brings it to Royce Hall
Ever since he came to national attention at the beginning of the 1990s, tenor saxophonist Joshua Redman has defied the narrative of the wunderkind who bears prodigious talent, then declines. He’s taken on ambitious formats, often in the company of seasoned jazz gladiators, and Redman has more than held his mud. In the face of ...
As the clock ticks, time well spent on ‘The Day’
Who can resist the alluring image, above, from a new theatrical production, THE DAY, presented at CAP UCLA and featuring two strong women of the performing arts, former New York City Ballet dancer Wendy Whelan (she is now associate director of the company) and cellist Maya Beiser, described as “a force of nature” by The ...
Batsheva Dance Company at Royce Hall: A must. Go.
Mar
7
2019
The sound of the Kyrie, eleison juxtaposed with the word ‘Venezuela’ pierces my heart. And I didn’t even cross the threshold into Royce Hall’s cathedral-like lobby yet. That’s how affecting a performance by the game-changing Israeli dance maker, Ohad Naharin, can be. Israel’s esteemed dance company, Batsheva, returns to Royce with a new evening-length work, ...
A singer’s love of language: Luciana Souza comes to Royce Hall
It’s been a recurring pleasure to chart the creative arc of Brazilian singer and songwriter Luciana Souza through her SoCal appearances over the years. We remember Jazz Bakery evenings where she held the room spellbound with a tempered vocal delivery on jazz-rooted arrangements and musical interaction. Souza’s clear soprano uses volume judiciously: she can send ...
Koplowitz’s ‘Learn Capture Repeat’ fun feature @ Dance Camera West
This nice-looking guy, Stephan Koplowitz, a valued member of the Los Angeles dance community, is ready to give you your three seconds of fame in Learn, Capture, Repeat, his proprietary video project slated for this weekend’s Dance Camera West Festival. Wait till you see what Steve and his colleague, software designer Alan Price, can do ...