REVIEW: Fascinating time-travel with Mark Morris Dance Group at the Joyce Theater 1
numerator, photo: christopher duggan Mark Morris Dance Group was formed in 1980. The Joyce Theater opened doors in 1983. Yet while it has presented dance companies eleven months of the year, the Joyce stage had never hosted a MMDG season until now. So Tuesday’s opening night felt momentous – even historic – as MMDG finally ...
REVIEW: A look at Mark Morris’s ‘The Look of Love’ 1
The tenderness, the tenacity, the yearning, and the joy burnished in the lilting melodies composed by Burt Bacharach, so perfectly paired with the high-flown romance of Hal David‘s lyrics, formed the basis for “The Look of Love,” a new hour-long dance work that had its world premiere this weekend at the Broad Stage in Santa ...
‘Mozart of Modern Dance’ visits Santa Monica’s Broad Stage
Jun
1
2022
It is problematic calling yourself “the Mozart of …” anything. And yet, that’s how the choreographer Mark Morris, in his press materials, chooses to frame his creativity — as the “Mozart of Modern Dance.” Morris, 65, whose 42-year-old Mark Morris Dance Group will present four performances of his 2006 creation, “Mozart Dances,” at Santa Monica’s ...
A chat with The Broad Stage’s new director Wiley Hausam
Prominent in the crowded field of Los Angeles performing-arts houses is The Broad Stage, where a lively smorgasbord of arts offerings forged a high-profile presence since its debut — in an enviable Santa Monica location — in 2008. Wiley Hausam, a newcomer to Los Angeles, will soon take up the mantle of artistic and executive ...
Mark Morris loves the Dorothy Chandler Pavilion
The choreographer whose troupe, the Mark Morris Dance Group, opened a four-day run last night at the Music Center, shared his affection for the theater when I interviewed him in 2007: “It’s fabulous to be performing at the Dorothy Chandler Pavilion,” he told me then. “I just love the mid-century-modern touches,” he said, indicating the ...
“L’Allegro,” set to Handel, at the Music Center tonight
May
5
2011
Nostalgia reigns at the Dorothy Chandler Pavilion as we prepare to see Mark Morris’s landmark full-evening work from 1988, L’Allegro Il Penseroso ed il Moderato, set to an oratorio by Handel. The piece was made when the Seattle-born choreographer was 32 years old. The co-production with L.A. Opera features live orchestral accompaniment. A lovely preview ...