Review: Karen Sherman’s “Soft Goods” @ CAP UCLA
As the Freud Playhouse lost its moorings and ran amok in the final harrowing minutes of choreographer Karen Sherman’s “Soft Goods,” presented Saturday night at UCLA’s Center for the Art of Performance, I’d be hard pressed to believe that the audience, too, did not become untethered. An out-of-control fog machine spewed smoke from stage to ...
Backstage building, courtesy of Karen Sherman @ CAP UCLA
Los Angeles dance fans have been tickled by Matthew Bourne’s front/backstage machinations in “The Red Shoes,” now on at the Ahmanson Theatre. Bourne cleverly uses a freestanding, and rotating, proscenium arch to physically separate the backstage drama from the show-biz pizzazz of performance. It’s a timely moment, then, to seek a smaller-scale, perhaps quieter, variation ...