“Inside” a portrait of the artist as his own worst enemy 1
by robert koehler
One of the most interesting things about the reaction to “Inside Llewyn Davis” (Arcight, Hollywood; The Landmark, Westwood) is puzzlement over whether writers-directors Joel and Ethan Coen intend a sarcastic portrayal of the early ‘60s folk music scene in Greenwich Village. The question isn’t baseless. Sarcasm has sometimes been a potent tool for the brothers ...