The pursuit of ‘Love & Happiness’ with Al Green
photo credit: Al Green facebook page He struggled. Both with his voice and his body. Argh, that gorgeous, sexy young man got fat. The voice was often not there. He reached for signature falsetto trills, swooping octave-length slides, and growls, and came up with memories. Rather than whisper, he croaked. He relied on the audience ...
‘So L.A.’ in a good way: Jacob Jonas The Company reviewed
‘to the dollar,’ chor by jacob jonas, photography matthew brush It’s hard to avoid politics these days. We tweet about it, march about it, get outraged about it. It’s in your face in every medium. Including dance. Jacob Jonas The Company’s (JJTC) brilliantly danced mixed bill at The Wallis on Friday included two politically-charged works: ...
THE WHITE CROW: Getting Rudik right 2
WHITE CROW director Ralph Fiennes sets up museum shot for Oleg Ivanko as Rudolf Nureyev My headline news: dance people will absolutely love The White Crow. Most everything — in dance terms — about this rapturous feature film depicting the early life of ballet’s dark prince, Rudolf Nureyev, is spot on. (The film, based on ...
REVIEW: Diana Wyenn, theater in her veins 2
First, I squirmed. Then I squiggled. I crossed my legs, then re-crossed them. Drawing a deep breath, I wondered at one point if I might faint. Talk about visceral theater! Diana Wyenn’s one-woman show, Blood/Sugar, seen last night at the wonderful Bootleg Theater, goes granular, right down to the grains of sugar your pancreas is ...
REVIEW: ‘I Married An Angel’ at City Center’s Encores!
Sara Mearns, Mark EvansRodgers & Hart’s I Married an Angel Director-Choreographer Joshua Bergasse Over the past few seasons Sara Mearns has found a home at City Center for projects outside of (and sometimes very far removed from) her “day job” as one of New York City Ballet’s leading ballerinas. At Fall for Dance she has ...
First dibs: Pam Tanowitz world premiere for Martha Graham Dance Company
(Untitled) Souvenir (2019) choreographer Pam Tanowitz for Martha Graham Dance Companyphoto Luis Luque We got it first. That is wonderful. Untitled (Souvenir) enjoyed its world premiere in Los Angeles on March 2, 2019, in the context of a rich and historic dance concert delivered by Martha Graham Dance Company. The venue was the glowing, still-newish Younes ...
The games people play, according to Martha Graham’s ‘Secular Games’
Secular Games (1962) choreography by Martha Graham Saturday night’s across-the-board brilliance encompassing both classic and contemporary modern dance at the Younes & Soraya Center for the Performing Arts, aka The Soraya — an evening of nearly ecstatic, unwavering quality by the Martha Graham Dance Company — had Secular Games, dating from 1962, as a standout. ...
Charles White, at our city’s artistic center LACMA
Charles White in his Los Angeles studio, 1970 photo: Robert A. Nakamura The Pacific Standard Time art extravaganza that blanketed Southern California in 2011 brought much-needed, new focus to the art currents that circulated in post-World War II Los Angeles. Those surveys, as fine as they were (there were some glorious shows), implored further explorations. ...
REVIEW: Simmering with Ate9 dance company at The Wallis
“Let it simmer.” With those words, the music savant Michael Jackson directed his band in This Is It, a documentary capturing his final, unrealized rock concert. MJ’s instrux came to my mind while watching the dance splendor choreographer Danielle Agami unveiled at the Wallis Annenberg Center for the Performing Arts this weekend. The Israeli-born Los ...
Sending in the clowns for classical ballet renewal 2
James Whiteside (Harlequin), Thomas Forster (Pierrot)photo credit: Andrea Mohin / The New York Times The tears of a clown rained down all weekend at Segerstrom Center for the Arts. It was the West Coast premiere of American Ballet Theatre‘s triumphant reconstruction, Harlequinade —and it was a pip. The dashing Commedia del’arte clowns pictured above, diamond-suited Harlequin and ...