Thank you, Robert Evans, for ‘Serpico’ scene at Lewisohn Stadium
In this snippet from Serpico (1973), fellow cops Tony Roberts and Al Pacino haggle in the eerie ghost town of a grand structure where so much New York art and culture — famously, summer concerts by the New York Philharmonic — met an avid audience. It’s the 8,000-seat-capacity Lewisohn Stadium on the campus of City ...
Balanchine’s rainbow of “Jewels” met by Mariinsky pristine classicism 1
Oct
27
2019
“Emeralds,” to Faure They may not thrust, propel, and hit marks with the velocity and modern shapeliness of their colleagues in New York City Ballet. Why would they? They are differently trained. Speed was hindered by lugubriousness. Idiosyncratic details went undervalued. Still, it was beautiful to observe the purity of classical technique that Mariinsky Theatre ...
post sponsored by The Soraya
Farruquito, flamenco master, brings troupe to The Soraya
Juan Manuel Fernandez Montoya, aka Farruquito Ed. note: This article was commissioned and first published by The Soraya for Farruquito’s November 9, 2019 performance there. It is reprinted on artsmeme with permission. The brilliance was there from the start. At age 11, Juan Manuel Fernández Montoya, the reigning superstar of flamenco who performs under the ...
REVIEW: Twyla’s back and Herman’s got her, in ABT’s ‘A Gathering of Ghosts’
Aran Bell, Calvin Royal III and Catherine Hurlin in Twyla Tharp’s A Gathering of Ghosts. Photo: Rosalie O’Connor. Twyla Tharp is back working with American Ballet Theatre. So for at least one evening — Wednesday’s much-anticipated premiere of her new ballet at the David Koch Theater — all seemed right with the world. Her prior ...
Merce’s marvelous movie
Seen yesterday in Cunningham, the new Merce Cunningham documentary shot in 3-D by writer/director Alla Kovgan: imagery and brief excepts from “Summerspace,” the choreographer’s legendary ‘no-center’ ballet dating from 1958 and performed in Robert Rauschenberg’s pointillist costumes/decor to music by Morton Feldman. The film, which may bring the rarefied artist his most widespread exposure with ...
As the clock ticks, time well spent on ‘The Day’
Who can resist the alluring image, above, from a new theatrical production, THE DAY, presented at CAP UCLA and featuring two strong women of the performing arts, former New York City Ballet dancer Wendy Whelan (she is now associate director of the company) and cellist Maya Beiser, described as “a force of nature” by The ...
post sponsored by the Carpenter Center
Complexions brings dances for ‘now’ to Long Beach
Complexions Contemporary Ballet performing WOKE. photo: Nina Wurtzel Complexions Contemporary Ballet continues to prod, provoke, and entertain. When choreographer Dwight Rhoden and dance-superstar Desmond Richardson co-founded their rainbow coalition of a ballet troupe in 1994, it took hold. Spurred by their mentor Alvin Ailey, the two men staked their claim on the power of dance ...
Olé, Olga Pericet!
Sep
11
2019
Ed. note: This story by artsmeme’s Debra Levine was written for The Ford Theatres and originally published as “A Flamenco Dynamite.” Flamenco is bursting with vitality—a new generation has contemporized the centuries-old form. So it’s fitting that the “new world” setting of the Ford Amphitheatre should welcome to its midst a foremost practitioner of “nuevo ...
Looks interesting: John Kelly’s latest
Photo credit: Josef Astor Adapting a text from his subject’s diaries, novels, and letters, performance artist John Kelly has fashioned a dance-theater piece based on the fantastical life of Samuel Steward (1909-1993), a gay novelist, tattoo artist, author of erotic fiction, and, according to Kelly, unabashed sexual adventurer. Underneath the Skin, commissioned by the NYU ...