Sugar Plums for the ages, in ABT’s ‘The Nutcracker’ at Segerstrom Center

Dance

Her name is Antonietta Dell’Era (1861-1945), and, as legend goes, in 1892 she was the first to dance to Tchaikovsky’s magical foray on the celesta as the Sugar Plum Fairy. That music the brilliant composer concocted to give aural evocation of “drops of water shooting from a fountain.” Ms. Dell’Era’s first performance received good reviews, if you discount one in which she was labeled “pudgy and unattractive.”

Well, we think she looks very smart costumed in something akin to street clothes. So we thought we’d provide a tour of the nine principal dancers of American Ballet Theatre who will dance in the Grand Pas de Deux of Alexei Ratmansky’s production of The Nutcracker, soon on view at Segerstrom Center of the Arts. Let’s see how these amazing female powerhouses look when NOT in Sugar Plum mode.

  • Isabella Boyton

ABT’s casting here:

To be clear, while many “Nutcracker” productions cast a separate role, “Sugar Plum Fairy,” ABT’s version incorporates the celesta music into the Grand Pas de Deux.

American Ballet Theatre’s The Nutcracker | Segerstrom Center for the Arts | opens Dec 12


In 2024, Los Angeles dance critic Debra Levine marks forty years of translating an ephemeral art form into the written word — in the Los Angeles Times, New York Times, Dance Magazine. It all started in Hong Kong at the South China Morning Post. Debra founded artsmeme in 2008.

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Westside Ballet of Santa Monica stages vibrant ‘Nutcracker’ starring Tiler Peck, Roman Mejia

Dance

An invitation to attend a holiday production of “The Nutcracker” — that of Westside Ballet of Santa Monica, with live music from the Santa Monica College Symphony Orchestra, and starring New York City Ballet principal dancers Tiler Peck & Roman Mejia — is an offer a ballet fan finds hard to refuse.

Peck is at the peak of her powers as a Principal Dancer with New York City Ballet; she’s the leader of her own touring posse; as well as a burgeoning choreographer of great promise. She recently debuted her first choreographic work for New York City Ballet, Concerto for Two Pianos, as a part of NYCB’s 75th anniversary season. The Texas-born Mejia joined NYCB’s corps de ballet in 2017, climbed the ranks as soloist by 2021 and was named a Principal Dancer in 2023.

This production is Southern California’s longest-running “Nutcracker” — in its 51st year of presentation. Behind it, now in spirit only, is one of our great ballet pedagogues of this city, the late Yvonne Mounsey. She and her longtime partner, Rosemary Valaire, launched “The Nutcracker” in 1974 as a galvanizing event for students, parents, and the community. Mounsey, who danced with NYCB from 1949 – 1958, had herself been a firey “Spanish” dancer in George Balanchine’s iconic production of the Russian ballet, which he first staged in New York in 1954. NYCB’s “The Nutcracker” toured, even playing the Greek Theater in Los Angeles in August! Mounsey would have been on that stage.

Along with the school’s current students on stage, a klatch of its most successful alumni will join Peck and Mejia. They include Lucia Connolly, Adrian Blake Mitchell, and Lyrica Woodruff. Their excellent training is on view in photos that reflect astonishingly precise, highly aesthetic placement.  

Other prominent alum have included Monique Meunier (NYCB, ABT), Anna Liceica, (ABT) Martine Harley (Houston Ballet), Melissa Barak (NYCB, Los Angeles Ballet, Barak Ballet), Andrew Veyette (NYCB), Stayce Camparo (Kansas City Ballet) and Francis Veyette (Pennsylvania Ballet).

Yes, perfect placement. But there’s also verve and high energy on that stage. Just get a load of Spencer Collins!

photo credit: sarah madison photography

The Nutcracker | Westside Ballet | The Broad Stage | Nov 30 – Dec 8


In 2024, Los Angeles dance critic Debra Levine marks forty years of translating an ephemeral art form into the written word — in the Los Angeles Times, New York Times, Dance Magazine. It all started in Hong Kong at the South China Morning Post. Debra founded artsmeme in 2008.

leave a comment

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