Following a double bill at LACMA so soulful and affecting that the feeling was beatific [“Electra Glide in Blue” & “Scarecrow” both from 1973], the museum hosted the great cinematographer Vilmos Zsigmond for a talk. Zsigmond, in tandem with his compatriot Laszlo Kovacs, introduced a palette of mittel European muted natural light to Hollywood. According to ...