‘Pride month’ salutes film producer Harriet Parsons at UCLA Film Archive

Film
louella, harriet parsons, 1959 Along with Virginia Van Upp at Columbia Pictures and Joan Harrison at Universal, Harriet Parsons (1906-1983) was one of the very few women to make her mark in the industry as a feature film producer in the 1940s. Parsons got her start at Columbia creating myriad uncredited newsreel-like “documentary” shorts in ...

So good! Classic cartoons on Hollywood Legion Theater big screen

Film
WE’RE ON OUR WAY TO RIO (1945, J. Tyler/I. Sparber)Popeye and Bluto, on shore leave, visit Rio and fall in love with a bewitching Samba dancer, in this beautifully produced musical cartoon. Her name? Olive Oyl. So good! The 10th edition of the Alex Film Society’s The Greatest Cartoons Ever! to spool at the most ...

Rita Hayworth’s stardom on staircases

Film
ed. note: Do you know what "press books" were in the movie industry of high Hollywood? We didn't either, until a nice librarian at USC named Ned Comstock introduced the press book from the 1946 film noir, Gilda. Columbia Pictures, where the movie originated, employed public relations people to create little compendia of story ideas ...

Jack Cole ‘discovered’ Steve Reeves

Film · Theater
As you see from the above “information sheet” for “Theatre World” magazine, Steve Reeves, the astonishingly buff muscle guy in his first creative foray worked for the choreographer Jack Cole in Kismet on Broadway. Reeves played the “Wazir” [chief of police]’s guard. Reeves (not to be confused with George Reeves, television’s “Superman”) was big on ...

‘Comb-out’ cat fight in MGM hair salon

Fashion · Film
Memories of Metro-Goldwyn-Mayer film studio’s early-morning hair-and-makeup ritual as described by one of the era’s leading girls-with-curls, Leslie Caron.EXCERPTED FROM: Donald Knox, “The Magic Factory: How MGM Made An American in Paris” (New York: Praeger Publishers) 1973 One of the biggest fights between the ladies was in hairdressing. Sydney Guilaroff was the king of that ...

Writer revered! Leonard Maltin at roundtable prior to Robert Osborne Award

Film · Ideas & Opinion
It was a special occasion, April 23, 2022, and an honor, to be among the writers, all drawn to TCM Classic Film Festival 2022 by a shared interest in Hollywood history, and all in admiration of the modest gentleman at the end of a long table — he who wrote the film bible, Leonard Maltin’s ...

TCM Classic Film Festival brings subterfuge feminism to 2022 Fest

Film
by 
pam grier, coffy (1973), in-person at tcm fest ed. note: artsmeme is pleased to have steve farber back to its team coverage of tcm fest. steve offers some of his picks for the 2022 festival. After a full three years away, I look forward to returning to this year’s TCM Classic Film Festival . The ...

Waaaah Ricky, our movie’s terrible! 1

Film
Lucille Ball, held hostage in Aaron Sorkin’s brain in ‘Being The Ricardos’ (2021) So, count them, there are two movies now available, and curiously, both are streaming on Prime video. The first to be released was the biopic written and directed by Aaron Sorkin, Being The Ricardos. My notes written shortly after viewing here: Well, ...

Blonde on blonde @ Hollywood Heritage

Film
Alice Faye, Betty Grable Mitzi Gaynor, who worked at Twentieth Century-Fox in the ’50s (The I Don’t Care Girl, Golden Girl) knew what color her hair should be. Looking back at movies in which she appears in (her natural) mousy brown locks, she commented dryly, “Oh, that was before my hair grew in blonde.” We ...

Hollywood 1952: Jack Cole’s ethnic dance includes voodoo & waltz

Dance · Film
In the summer and fall of 1951, the dance maker Jack Cole undertook two major new choreographies, one each at the two leading film studios of the era. He staged and danced the lead role in a voodoo ceremonial-rite for Lydia Bailey, at Twentieth Century Fox, and choreographed a sumptuous ‘grand valse’ for The Merry Widow ...