Though Rokia Traoré began her genre-, culture- and gender-bending incursion into the international music scene in the late 1990s, I didn’t encounter her until Peter Sellars’ 2006 New Crowned Hope Vienna festival, celebrating the 250th anniversary of Mozart’s birth. Reconceiving the composer as a griot traveller between Paris and Mali’s capital of Bamako, Traoré’s glorious ...