DANCE REVIEW: Twyla Tharp talks
Feb
26
2025
Dance critics like to use the word “language” in describing the identifiable steps, movement chains, and tonality associated with choreographers of stature. At sight, you know it is Balanchine, Taylor, or Cunningham. You know it’s Fosse or Cole. But that metaphor does not often move to the next level, viz., whether (or not) in drawing ...
Film review: THE SUBSTANCE, a triumph of the insubstantial
Ed note: This review, written in August 2024, is belatedly published, thus the wishful reference to a woman president in its last paragraph. The director is French, which I found surprising. And she cannot be called young. That was my second shock, for, in watching her movie, THE SUBSTANCE, I would have sworn it was ...
BEST IN SHOW: A tour of Oscar-nominated international movies of 2024
Fernanda Torres, I’m Still Here Each year it’s the best of world cinema, delivered to your doorstep. The competition for Best International Feature Film is my personal favorite part of awards season, and the crop of films released in 2024 did not disappoint. Depending on your tastes and preferences, any of the five movies up ...
Out of the blue, an accident: Margot Rose’s ‘Unconditional’ at Skylight Theatre
Melina Young, Margot Rose – photo: Sherry Ryan Barnett for SPLASH Some people transmit their profound life experiences in autobiographies. Others, in memoirs. Playwright/performer Margot Rose has fashioned a proprietary genre, a “musical memoir,” as a live-theater experience. The one-act show’s title, “Unconditional,” ostensibly refers to the quality of unbound love that she tapped, in ...
Free tix! Twyla Tharp, Sunday at The Soraya
Feb
18
2025
Yeppie, it’s Twyla. Twyla’s back and The Soraya‘s got her. First at the Segerstrom Center and then, this coming weekend at the Younes & Soraya Nazarian Center for the Arts, February 22 and 23, Tharp is hitting the stage with fourteen best-in-class dancers in a 60th anniversary of her career as a choreographer. Here’s what ...
Oscar-nominated designers in 15th annual costume panel at the Egyptian
It’s such a fascinating “way in” when considering the different elements that go into making a successful feature film — via the vision and craftsmanship of the artists who create the costumes. Just consider one of them. Arianne Phillips, nominated for A Complete Unknown, has garnered prior nominations for Academy Award for Best Costume Design ...
High fliers in Brooklyn: STREB’s ‘Do Not Try This At Home’
Feb
16
2025
photo credit: stephanie berger High-octane and daring. Action-packed and gravity defying. Surely we’re describing Hollywood stunt work, right? Wrong! We’re talking about rarefied choreography of extreme physicality, innovation, and near-misses that have made Elizabeth Streb a genre leader in this limit-pushing display of human action. Others in this niche of dance that we have written ...
Ratmansky rocks the classical ballet form, in ‘Paquita’ for New York City Ballet
We’re all about high-quality dance. And while we weren’t at the performances, thanks to the vivid writing of dance critic Marina Harss, and the superlative dance photography of Erin Baiano, we can experience Alexei Ratmansky‘s restaging of Petipa’s “Paquita” (1881) vicariously. According to Harss, Ratmansky infuses this warhorse ballet to music by Minkus with his ...
Rarefied air: Justin Peck’s new work at New York City Ballet
Mystic Familiar, choreography by Justin Peck, photo: Erin Baiano The symmetry is uncanny. Almost exactly eight years ago, on January 26, 2017 – six days after an impactful inauguration — Justin Peck delivered a robustly explosive, invigorating ballet, The Times Are Racing. Set to four sections of Dan Deacon’s 2012 album “America,” it throbbed with ...
Twyla Tharp, irrepressible, meets Beethoven, Philip Glass, for Jubilee Tour
Ed. note: This story by Susan Reiter, commissioned and published by the Younes & Soraya Nazarian Center for the Arts, is reprinted with permission. Twyla Tharp: The name is distinctive and memorable. So, too, are the accolades the choreographer has accumulated over decades in the creative artist’s lane. Now, at 83, the Tony/MacArthur/Primetime Emmy/Kennedy Center/Guggenheim ...