Bliss revisited: Jacaranda’s summer garden party @ Villa Aurora

Music

1_Villa_Aurora_KamerapferdIt’s summer in southern California and that translates, for music lovers, to the annual afternoon garden party of Jacaranda – celebrating ten years of adventurous chamber music performances. The smart music series commissions works by top living composers, and mixes that repertoire with challenging bits of the contemporary classical canon. To apply the group’s own tagline, the forward-leaning Jacaranda features “music at the edge.”

GardenviewMusic maven Patrick Scott, along with Mark Hilt Jacaranda’s co-artistic director, must have an ‘in’ with the man above. For this party invariably floats on L.A.’s softest, most golden sunlight. This year’s do must surely be a penultimate event; it will spool on the last Sunday of June at the historic arts mansion of the Pacific Palisades, the Villa Aurora.

patrick scott mark hiltFive acclaimed keyboard artists — Gloria Cheng, Mark Alan Hilt, Vicki Ray, Susan Svrcek, and Richard Valitutto — will perform musical miniatures by a wide range of composers.

Composers Respighi, Ades, Scriabin, Ung, Ives, Curran, Cage, and Dvorak, have all been invited and every last one has rsvp’ed. Yes, they will attend.

The garden party sets sail on flutes of champagne, carbohydrate-laden niblets, and tours of the legendary library salon where fierce German intellectual Leon Feuchtwanger and his exotic wife Marta established an outpost for L.A.’s European exiles at mid-century.

Between musical sets, hors d’oeuvres and more drinkies will  be imbibed on the Villa’s landscaped lawn. Above, infinite blue sky; below, Santa Monica Bay. Meandering the grounds, chitchatting, and rarefied listening are all on tap. Inside tip: Jacaranda is offering a special two-for-one ticket drawing on its Facebook page.

Jacaranda Summer Garden Party | Villa Aurora | June 30 | tickets & info


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Hollywood archeology: Digging DeMille’s “The Ten Commandments”

Film · Visual arts

DeMille-TC-sphinx headarts·meme friend Mary Mallory alerts us to a new exhibition featuring prime California archeology: the recovery and reconstruction of a huge prop piece from Cecil B. DeMille’s silent movie classic “The Ten Commandments” (1923).

A humongous face of an Egyptian sphinx-statue was recovered from the Central California sand dunes where DeMille directed his first (silent movie) version of the biblical classic.

The unveiling took place at the Guadalupe-Nipomo Dunes Center. DeMille’s lovely red-headed descendant, Cecilia DeMille Presley, was on hand to honor her grandfather, who was a titan of the American film industry. 

A team of archaeologists, led by Peter Brosnan, excavated, restored, and reconstructed the face from little more than fragments. Read the story in the Santa Maria Times.

Film historian Scott Eyman, biographer of Cecil B. DeMille now making final edits to his soon-to-be-published biography of John Wayne, shared thoughts with arts·meme from his desk at the Palm Beach Post:

“It would seem like the idea of preserving a movie set, on the surface, would be pointless. They were built to be torn down,” noted Eyman. “But don’t tell me it wouldn’t be cool to walk through Tara [Scarlett O’Hara’s home in "Gone with the Wind"], or walk through the temple that Samson brings down in “Samson & Delilah.”

“Those huge sets that define the characters of a movie, that were art directed by great designers like William Cameron Menzies, and that were brought to life by directors like Victor Fleming or DeMille,… even if they were only  plaster, I think it’s really valuable and I’m glad it’s being done.

Eyman researched DeMille’s “The Ten Commandments” for his DeMille biography, “Empire of Dreams: The Epic Life of Cecil B. DeMille” (Simon & Schuster, 2010).

“The biblical stuff is the best thing in the movie; the way he summons the antiquity through these huge props,” Eyman continued. “He built the temple, he built the sphinxes; it was logistically arduous dragging those sets from Hollywood to the sand dunes, actually a triumph of engineering.“

citzie-sphinx-TCphotos: courtesy Santa Maria Times, Len Wood, photographer


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beach ballet

Dance · Visual arts

Negro_Ballet

The Hollywood Negro Ballet troupe formed by choreographer Joseph Rickard practice on Laguna Beach, California.

In 1956, Flemyng invited the Los Angeles-based First Negro Classical Ballet (also known very briefly as the Hollywood Negro Ballet) and its director, Joseph Rickard, to join forces with the New York company. Rickard was of English German background and had danced with the Ballet Russe. He had taught ballet at Music Town in Los Angeles, where his students were predominantly black. This led to a few small concerts and, in 1947, to the founding of the First Negro Classic Ballet. Although this was not the first black ballet company, it may well have been the first to have its women dance en pointe.

Rickard … did go on the 1957 tour, but four of his dancers did—Guy Allison, Patrica Griffith, Carol Ann Wise and Graham Johnson… The company rehearsed sporadically in New York with Thelma Hill serving as rehearsal director. George Chaffee, the American- and French-trained ballet master, gave the dancers a two-hour company class at his studio where they also rehearsed.

From: Dancing Many Drums: Excavations in African-American Dance, Thomas F. Defrantz (University of Wisconsin Press, 2002)

Photo credit: Unknown, Members of the Hollywood Negro Ballet in a publicity photograph for Ebony, November 1953. Modern archival inkjet print from original gelatin silver print 16 x 20 in. Joseph Rickard papers, (c) The Huntington Library, San Marino, California. Photo was part of exhibit “This Side of Paradise: Body & Landscape in L.A. Photographs


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Language & ideas
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Language & ideas · Visual arts
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