Kirk Douglas, the actor and the man, at UCLA Film & Television Archive

Film

A guest writer on the blog, Shannon Kelley, Head of Public Programs for the UCLA Film & Television Archive, contributes this appreciation for actor Kirk Douglas. The Archive is mid-stream in a comprehensive Douglas retrospective that runs through September.

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KIRK DOUGLAS: A CENTENNIAL CELEBRATION, commemorates the career and the life of the great Hollywood star, who marks his centennial later this year. At 100, Mr. Douglas is still a vital and inspiring member of the American film community and establishment, as well as an inspiration to audiences and filmmakers worldwide.

This tribute launches July 8, with a screening of Vincente Minnelli’s extraordinary LUST FOR LIFE from 1956, and closes with another Minnelli night on September 30, the last program of the calendar:  a double feature of 1952’s THE BAD AND THE BEAUTIFUL and 1962’s TWO WEEKS IN ANOTHER TOWN.

We’ll revisit important milestones in Mr. Douglas’ storied career by means of 25 feature films, exhibited in single and double features, and featuring his collaborations with directors Billy Wilder, Michael Curtiz, William Wyler, John Sturges, Anthony Mann, King Vidor, Lewis Milestone, and other essential auteurs. Kirk Douglas himself pops up as one of the directors in this roster. Along the way we’ll be sampling both cherished classics and lesser-known gems from Mr. Douglas’ remarkable filmography, and doing our best to account for his durability as a screen personality and a creative force.

kirk-cowboyAccounting for Kirk Douglas’ durability as a human being is beyond the expertise of our department. But his sterling activism, philanthropic benevolence, expansive intellectual and spiritual vigor, energetic writing and blogging, his general embrace of the new, and his public courage in the face of disabling disease, display a true lust for life seldom seen and are as worthy of celebration as his remarkable artistry and his contributions to American and world cinema culture.

A three-time Oscar nominee, he was recognized by the Academy of Motion Picture Arts and Sciences in 1996 with an honorary award for 50 years as a creative and moral force in the motion picture community. Multiple-awarded, in fact, Douglas has been a popular favorite whose talents, and appeal moved easily between rip-roaring Westerns, smoldering films-noir, expansive period epics and delicate melodramas – just a few of the realms he conquered.

His distinctive looks (one cannot neglect to mention the world’s most famous dimpled-chin), strapping physique and intense energy, brilliantly attenuated in both physically active and quiet, cerebral roles, would have been enough to certify and enshrine him as a star. Added to these, however, the reach of his intelligence and curiosity, his instinct for the worthwhile risk, and his appreciation of irony, tragedy and morality, made of him the towering and still-relevant figure he represents today.

Coming quickly to fame in the postwar years, Douglas carved a niche as an electric and authentic personality, adept at enacting the suffering of sidelined, wounded and lost souls who were capable of heroic stature, but not in artificial or abstract terms. Rather, his understanding of the capacities of the ordinary human soul suggests a moral force that awakens audiences’ recognition of their own capacity for sorrow, transcendence, and moral victory.

championBorn to a humble, Russian immigrant family, Douglas rose to fame, and then power, through industriousness worthy of Horatio Alger. But his career was never so much a career for its own sake, as a journey mapped by moral and artistic ambition and curiosity, evident in his preference for such an eccentric, independent project as 1949’s boxing story CHAMPION (another Oscar-nominated performance) when the studio meant to groom him for a more glamorous line of acting, and later, his famous insistence as a producer upon employing and crediting the long-blacklisted writer Dalton Trumbo for 1960’s SPARTACUS, driving a stake into the heart of the blacklist, and handing audiences a lasting and resonant human document.

Don’t miss Douglas’ and Trumbo’s later collaboration, LONELY ARE THE BRAVE, screening on August 20. Thank heaven that an artist of such moral fiber also came equipped with a breezy buoyancy and a refreshingly self-deprecating sense of humor, on delightful display in such outings as THE BIG SKY, POSSE and 20,000 LEAGUES UNDER THE SEA.

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For his many gifts, and gifts to us, we are pleased and proud to honor Kirk Douglas on the occasion of his centennial year.

Kirk Douglas: A Centennial Celebration | UCLA Film & Television Archive | now thru September

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Forever Flamenco, Forever Ford Amphitheatre

Dance · Featured

Forever-Flamenco-Jesus-MunozWhat is not to love about Saturday night at the newly refurbished Ford Amphitheatre for “Forever Flamenco”?

The distinguished flamenco presentation series normally based at the Fountain Theatre in Hollywood transfers every summer to the plein air setting of the Ford. There’s been a jog for the upgrade of the facility and we’ve been missing that flamenco adventure.

It’s a raucous and heavenly time on a steamy summer night, with wine and nosherai.  Bring your own tapas! ¡Olè!

Saturday evening’s international line-up of renowned flamenco artists includes:

Bailaores y bailaoras (dancers)
Reyes Barrios, Ricardo Chavez, Melissa Cruz, Jesus Muñoz, Mizuho Sato, Oscar Valero, Daniela Zermeño

Cantaors (singers)
Antonio de Jerez and Jesus Montoya

Guitarristas: Kai Narezo and José Tanaka, Percusionista: Joey Heredia.

This ultimate of pick-up troupes — the company is comprised of collaborators, long-time friends, members of a close-knit community — promises an evening of passion, artistry, joy.

Pictured above, artistic director Jesus Muñoz expressly joining in the show from his base in Albuquerque.

See you there. Hasta …

Forever Flamenco at the Ford | John Anson Ford Amphitheater | Cahuenga Pass | Sat July 23, 8:30 pm

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‘West Side Story’ feted, dissected, appreciated at the Academy

Dance · Featured · Film

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The Academy presented a screening of "West Side Story" Monday, July 18, 2016. Pictured: Randy Haberkamp, Walter Mirisch, George Chakiris, Russ Tamblyn, Maria Jimenez Henley.

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Producer Walter Mirisch and Actor George Chakiris prior to a screening of "West Side Story" presented by the Academy of Motion Picture Arts and Sciences, Monday, July 18, 2016.

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Actors Robert Banas, George Chakiris and Maria Jimenez Henley prior to a screening of "West Side Story" presented by the Academy of Motion Picture Arts and Sciences, Monday, July 18, 2016.

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Actors Robert Banas, Maria Jimenez Henley, George Chakiris and Russ Tamblyn prior to a screening of "West Side Story" presented by the Academy of Motion Picture Arts and Sciences, Monday, July 18, 2016.

Some fascinating film lore revealed by producer Walter Mirisch, at Monday’s panel discussion prior to a special screening of West Side Story (1961) at the Academy:

Apparently WSS creator/co-director Jerome Robbins was extremely resistant to shooting the movie’s “Prologue” on the streets of New York City.

According to Mirisch (his picture garnered 11 Oscar nominations and won 10 of ’em), Robbins preferred that the sequence — his creation — be shot on a sound stage. It was the producer, along with co-director Robert Wise who prevailed in forging the concrete-jungle setting of what is now the magisterial opening number of “West Side Story.”

Once Robbins was cajoled into shooting on location, however, he got on board with a vengeance.

[Mirisch shared his technique: “I promised him that he could re-shoot [indoors] if the outdoor location-shooting didn’t work out. Of course I had no money to do that, But he didn’t know that.” To which panel moderator Randy Haberkamp good-heartedly retorted: “Spoken like a producer!”]

Several references, primarily by Mirisch, about the relevance of West Side Story — a fable of tribal behavior and the inevitability of violence in tribal conflict. Mirisch said that “West Side” (as insiders call it, dropping the “Story”) may even be more relevant today than when it was released 55 years ago. He made a plea that new audiences see the movie and try to understand its meaning. Oscar-winning actor George Chakiris, as well, noted the racial prejudice that still festers in our world today.

photo credit: Todd Wawrychuk / ©A.M.P.A.S.

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Robert Frank doc, ‘Don’t Blink,’ opens soon in L.A.

Film
RobertFrank_byLisaRinzler
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Featured · Visual arts
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Worldly woman shocks small-town America! Pola Negri, you go girl.

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Dance · Theater
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Jazz singer Jeri Southern, appreciated

Music
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Visual arts
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Kirk! UCLA Film Archive kicks off sweeping centenary celebration

Film · Visual arts
KIRK DOUGLAS
Would not dream of missing Friday’s opening night — or viewing many of the 25 film titles featured therein — of UCLA Film & Television Archive’s centenary retrospective for actor Kirk Douglas (b. 1916). In his 60-year career he appeared in 90 movies, so claims Wikipedia. The massive movie star still lives among us. Kirk ...