How a genius choreographs: Jack Cole’s “Beale Street Blues” 2

Dance · Film
In this 30-second snippet from the men’s dance in “Beale Street Blues,” one of Jack Cole’s three great dance numbers from THE I DON’T CARE GIRL (Fox, 1953), the work of a brilliant dance maker is on display. It’s a game of craps gone wrong. It gets played out on a platform, ostensibly  (my reading) ...

A horse is a good clean animal, says Betty Grable 2

Dance · Film · Music
Check out Betty Grable in “Meet Me After the Show” (1951): Dancing in silhouette, on the platform: Jack Cole, who staged the number. Paired with Cole for a dance-y horse race is the choreographer’s muse and assistant Gwen Verdon. This we learn from the horse’s mouth … er… from Academy of Dance on Film founder ...

A masterpiece of dance on film: Jack Cole’s “Happy Ending”

Dance · Film
The dance sequence below, choreographed by the great Jack Cole (he dances in it as well) closes Twentieth Century Fox’s “On the Riviera” (1951). Every element of  “Happy Ending” rings true. Not a single step is wrong or jarring; on the contrary, all is balanced and golden and smart and right. It’s evidence of Cole’s ...

Movie musical talk with George Chakiris

Dance · Film
I had the wonderful good fortune to interview singer/dancer/actor George Chakiris at TCM Fest this weekend. The resulting Los Angeles Times piece here. A few leftover niblets to follow… His passion for musicals when growing up: I used to love every movie musical I saw. There was one that stood out, The Barclays of Broadway ...

Jack Cole mosaic

Dance
Photos say it best where the intense dancer/choreographer of film and nightclub, Jack Cole, is concerned. Here’s a little collection for your viewing pleasure. As for photo #6, what about Jack Cole and Gwen Verdon as a dancing duo? Absolutely superb . . .