Ed. note: The great and gracious pianist Gloria Cheng is a guest contributor to the blog, with an excerpt from an essay she herself penned recounting the scene for new music in Los Angeles. “Only in Los Angeles?” was originally published by NewMusicBox and is excerpted with kind permission. Writes Gloria Cheng: It could be ...
What a pairing. Virtuoso contemporary pianist Gloria Cheng playing the works of pioneering minimalist composer Terry Riley — and then the duo playing together. At the cozy, comfortable and acoustically pristine Zipper Hall presented by our friends at Pianospheres. A rare experience. So, go. Program: RILEY: Two Pieces for Piano (1958/1959) RILEY: The Walrus in ...
I’ve inhabited Los Angeles more or less, since 1989. The city’s rich art existence, long undetected, has kept me busy and happy here. There is little doubt, however, that something arts-phenomenal is happening right now in our city. It must be true; the New York Times is sputtering about it all the time. In fact, ...
Piano Spheres, the new-music presentation series devoted to showcasing contemporary works for the piano, offers as the opener to its 22nd season a double-barreled send-off, “Two Pianos, Four Hands.” The recital features a world premiere and performances by two leading lights of contemporary music. Thomas Ades’s “Concert Paraphrase on on Powder Her Face for Two ...
photo credit: Los Angeles Times We’ve cruised through many chamber-music concerts spellbound by the exceptional artistry of pianist Gloria Cheng whose nearly demonic devotion to contemporary classical music invariably ramps up the entire evening … and she only plays with the best. But we’ve never enjoyed the pleasure of the Great Gloria in solo concert. ...