Tutu Taylor
It was a hell of a week for ballet. Our most brilliant male ballet dancer, a true wunderkind, a homegrown wonder, David Hallberg, got a job offer from the Bolshoi Ballet, better, obviously, than his current gig with American Ballet Theatre. So off he goes. Hallberg’s young, 29, he doesn’t speak the language, and Russia ...
Serenade: C’est un ballet abstrait.
Everything sounds better in French. That’s a given. But beyond sounding beautiful, the lovely and poetic program note posted below tackles the hard job of putting the ephemeral into words. What’s the subject? “Serenade,” a ballet that in its making, and in the viewing of it, touches God. C’est un ballet abstrait. C’est- á-dire, sans intention ...
America’s greatest immigrant: the Georgian, Giorgi Melitonovitch Balanchivadze 1
Sep
2
2011
What a man, what an artist! It’s not a glower, it’s not a gloat; what on earth is that expression? [click on photo for better view.] It’s brains, bearing, and class. It’s the look of pure culture. But whatever was going through his mind, there stood Balanchine, majestic Georgian gentleman that he was, photo courtesy ...
If it’s August, it’s NYCB Nutcracker time in Los Angeles 2
May
14
2011
This fascinating poster — click on it for detail — dating near to 1954 when Balanchine first staged the Nutcracker [Maria Tallchief as Sugar Plum Fairy, Tanaquil LeClercq as Dewdrop] — comes from the collection of Edith Brozak McMann, a former New York City Ballet dancer. It may interest Los Angeles dance fans of a ...
Melissa Hayden hops a train — just as she hopped into the arms of Jacques d’Amboise 2
Apr
26
2011
A characteristic shot of the inimitable New York City Ballet ballerina Melissa Hayden (1923-2006), nee Mildred Herman, a nice Canadian Jewish girl (who knew?) who wanted to be a champion swimmer, or so we learned from Milly’s habitual partner, Jacques d’Amboise, at an ALOUD book talk last week. D’Amboise reveled in stories about the extroverted, ...
Jerome Robbins’s “Glass Pieces” at NYCB
Oct
10
2010
Program opener “Glass Pieces” was a standout at the final performance of New York City Ballet’s fall season Sunday afternoon. Jerome Robbins made the piece in 1983, a bit of a late comer to the music of minimalist composer Phillip Glass who had long been the darling of the downtown world. The Robbins validation was ...
Upcoming: NEA classical music institute in NYC
Sep
25
2010
arts·meme is proud to announce her participation in the National Endowment for the Arts’s seventh Arts Journalism Institute in Classical Music and Opera, October 9 – 19 at Columbia University Graduate School of Journalism. The Institute is one of three NEA-funded programs that endeavors to reenforce the role that informed writing/criticism plays in a flourishing arts ...
Arthur Mitchell delights in his ballerinas
Jul
6
2010
“I love to partner,” admits the great pioneering African-American ballet dancer Arthur Mitchell who joined New York City Ballet in 1955. In conversation he shares affectionate sound bites about the ballerinas he partnered when dancing for choreographer George Balanchine at New York City Ballet, 1955 – 1966. On Allegra Kent: “Otherworldly. A real creature, there was nothing she ...
The astronaut and the ballerina 1
Nov
22
2009
Weightlessness has its rewards. In 1950, the ballerina was a featherweight slithering down her partner’s body and marching on her highest pointes as Balanchine’s snaky Siren in “The Prodigal Son.” In 1969 the astronaut, seen at right, clocked in at 35 pounds while padding around the moon’s soft terrain like a stuffed doll. Los Angeles County ...