L.A. billboard update

Film · Visual arts
Trolling Sunset Boulevard (which is normally a lot of fun) got an added boost in the form of this huge placard, an open birthday card to Zsa Zsa Gabor, who is now resting at home in Beverly Hills.  Zsa Zsa’s main squeeze, aka Prince Frederic von Anhalt, enjoys using billboards as a means of self-expression. ...

Cavalia Odysseo, a horse of different breed

Dance · Theater
Cavalia’s Odysseo is a voyage with horse, man, and woman to the world’s most beautiful locations including the African savanna and dessert, the Northern Lights, the American Southwest, rolling hills and lush forests. Odysseo’s 67 horses of 10 different breeds including the Appaloosa, Arabian, Canadian, Lusitano, Oldenburg, Paint Horse, Quarter Horse, Spanish Purebred and Warmblood. ...

Russ recalls Rusty Tamblyn, child star of GUN CRAZY @ UCLA Film & Television Archive

Film
“I never owned one and could care less about guns,” said the gentle-spirited Russ Tamblyn before a sold-out house at the Billy Wilder Theater on Friday night. The conversation with Shannon Kelley, Director of Public Programs for the UCLA Film & Television Archive, followed a screening of cult-classic, GUN CRAZY (Monogram Pictures, 1950). Tamblyn, then ...

Kyle Abraham brings BODYTRAFFIC talent

Dance
It can be sweaty, painstaking, unglamorous. The steps are stymieing when they won’t knit together. You’re half dancing, half hanging around. It’s always the same people; they never go away. It takes incessant tweaking to get it right. Welcome to the art of choreography, a labor-intensive affair that requires real-time interaction, patient collaboration. This honorable ...

“Gun Crazy”‘s Russ Tamblyn in person @ UCLA Film & Television Archive

Film
Super looking forward to Friday night at the Billy Wilder Theater for a screening of Joseph H. Lewis’ GUN CRAZY at UCLA Film & Television Archive.  The film noir cult classic is a stylish example of the doomed-lovers-on-the-lam prototype; it anticipated “Bonnie and Clyde” two decades hence. The screening of “Gun Crazy” opens the UCLA ...

Edward Villella, upcoming, at New York’s Paley Center

Dance
Coming to New York’s Paley Center for Media for an evening of conversation and television and film clips, the legendary dancer and artistic director Edward Villella will discuss his extraordinary and unique career. A regular performer, in the 1960s, on American television, Villella’s accessible appeal and hunky good looks made him a scintillating sight on ...

Matt (Harold Henry) Mattox, memorialized 1

Dance · Film · Theater
by 
MATT (Harold Henry) MATTOX b. Tulsa, Oklahoma, USA, August 18, 1921 d. Perpignan, France, February 18, 2013 “I’ve never classified myself as a jazz teacher, I prefer to talk about ‘free-style dancing,’ which means I have a choice of movement for any piece of music,” said Mattox in a 1993 interview. To prepare for his ...

Matt Mattox (1921-2013) leads off in “Lonesome Polecat” 5

Dance · Film
Big guy Matt Mattox leads off his “brothers” in this lovely unhurried number choreographed by Michael Kidd for SEVEN BRIDES FOR SEVEN BROTHERS (MGM, 1954). The precision! Matt’s mournful singing, “Can’t make no vows … to a herd of cows” is dubbed in the movie by Bill Lee. Like this? Read more: Matt Mattox, memorialized ...

In memorium: Matt Mattox from ‘Seven Brides for Seven Brothers’

Dance · Film
SEVEN BRIDES FOR SEVEN BROTHERS (1954) / MGM / LES SEPT FEMMES DE BARBEROUSSE / FRANCE / ARTIST: ROGER SOUBIE Enchanting Jane Powell marrying reclusive rancher Howard Keel is the catalyst for his six brothers following suit in a rollicking athletic courtship, inventively choreographed by Michael Kidd, and visualized by France’s most prolific poster artist, Roger ...

Connoisseur collection of dance-movie posters grace Barnsdall exhibit 1

Dance · Film · Visual arts
“I was born with a poster gene! When I was a kid I used to ‘color in’ the New York Times (black & white) print ads for theater. When I saw the poster, I’d compare their color choices [to mine].” Collector Mike Kaplan offers this charming anecdote in explanation for a lifelong obsession as we ...