Los Angeles, California, home to two choreographer-goddesses

Dance · Reviews
Macaela Taylor, Danielle Agami It’s exciting. For awhile there, things were looking bad. We seemed to be losing the female voice in the contemporary dance space, as men, holding the reins of most operating companies, naturally meted out sparse commissions and jobs to guy-pals. Female dance leaders, critics and scholars sounded the alarm. Foundations, universities, ...

REVIEW: Julia Child, warbly kitchen warrior near to our hearts, in new doc

Film · Reviews
The Chinese philosopher Lao Tzu is ‘said’ to have said, “When the student is ready, the master will appear.” American homemakers didn’t realize it in the post-World War II decade, but Julia Child was the master they awaited – a down-to-earth cookery guru to guide them away from pre-made mixes, frozen variety trays, and the ...

What is this man thinking? Don’t ask, just go see ‘Bad Luck Banging or Loony Porn’ 2

Film · Ideas & Opinion · Reviews
Radu Jude, director of BAD LUCK BANGING OR LOONY PORN Photo credit: Silviu Ghetie. Photo courtesy of Magnolia Pictures He resembles an Every Man, doesn’t he? Someone Bertolt Brecht might portray in a play — in the good old days, the 1930s. He is the contemporary Romanian film director, Radu Jude, who, borrowing from Brecht ...

REVIEW: Modern dance’s vivid origins in St. Denis/Shawn historic restagings 1

Dance · Reviews
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DANCES BY RUTH ST. DENIS & TED SHAWN September 30 – October 3, 2021The Theatre at St. Jean’s 150 East 76th St, New York City Bradley Shelver in Japanese Spear Dance by Ted Shawn (1919)photo Julie Lemberger Of the eloquent, elegantly presented sampling of choreography by Ruth St. Denis and Ted Shawn on view in ...

Film review: ‘In Balanchine’s Classroom,’ a dance documentary

Dance · Film · Reviews
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George Balanchine (1960s). Photo: Ernst Hass. As seen in In Balanchine’s Classroom. A film by Connie Hochman. A Zeitgeist Films release in association with Kino Lorber. Watching In Balanchine’s Classroom, the new dance documentary directed by Connie Hochman, you wait and hope for a movie about a significant, if rarefied, subject to add up to ...

Sane dance fans converge on Segerstrom for pleasing ‘Lines Ballet’ performance

Dance · Reviews
It was the United States of Segerstrom last night when the nation’s Capital of COVID-Containment relocated (for just one night, Dr. Fauci) to Costa Mesa, California. There, the much-vaunted performing arts center at least somewhat righted the pandemic cataclysm by launching its season with a knockout dance performance. An upbeat group of up to 1,500 ...

Broadbent & Mancio, a musical partnership by intuition & osmosis 2

Music · Reviews
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One of the most sublime vocal albums of this, or any recent, year was released a few months ago. London-based singer and lyricist Georgia Mancio and pianist Alan Broadbent committed duets of nine of their own songs onto Quiet Is The Star (Roomspin). The collaboration is one of the all-too-rare instances where voice, text, piano ...

Live performance lives! at Vail Dance Festival

Dance · Reviews
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Melissa Toogood with other Festival Artists in Michelle Dorrance’s “New to the Session” at the Vail Dance Festival. Photo by Christopher Duggan As New York City’s dance venues gear up to re-open next month, in early August a heady mix of the city’s finest dancers brought the thrill of live dance to the Vail Dance Festival. ...

Tenor-sax somersaults & trampolines: Sonny Rollins in 1967

Music · Reviews
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SONNY ROLLINS photography by John Abbott Each December, the marketplace offers up some must-have jazz-related item. A newly-minted LP collection, a CD or DVD box, or doorstop book—something that pushes aside everything around it. In 2020, that was unquestionably Sonny Rollins in Holland (Resonance). The two-CD compilation of previously unissued live performances by the tenor ...

‘Sittin’ In’ at golden-era jazz clubs 1

Architecture & Design · Music · Reviews
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bird & friendscourtesy of jeff gold These days, every self-respecting college and civic performing arts center has a subscription jazz series. It’s no surprise, then, that many people see jazz as concert music. But it wasn’t always so. 1930s and ‘40s jazz musicians mostly worked in ballrooms with dance bands, but they stretched out and ...