Review: Quirky master-photog Bert Stern captured in doc 1

Film · Reviews · Visual arts
It doesn’t matter that “Bert Stern: Original Madman” falls short in depicting the hectic life and work of the go-go photographer of the sixties. The documentary, a first major effort by Shannah Laumeister, is unevenly told, biased toward the actress-turned-director’s own personal relationship with Stern, and values cheap story elements over artful ones. Yet the ...

Book review: ‘Hermes Pan, The Man Who Danced with Fred Astaire’ 3

Dance · Film · Reviews
A book review first published by Dance Magazine [December 2012] Growing up in Memphis as the son of Greek immigrants, Hermes Pan (1909–1990) copped dance steps from the family’s African-American household help. Fast-forward to the Depression, when the self-taught Hollywood choreographer’s black-and-white dance fantasies for Fred Astaire and Ginger Rogers offered Americans escape. The versatile ...

Ornette Coleman via Shirley Clarke via Ross Lipman

Film · Music
arts·meme friend Ross Lipman, a primo art-film restorationist, clues us into a very cool screening of a documentary directed by the feminist filmmaker Shirley Clarke (Lipman is an expert and advocate of her work) next weekend at the Billy Wilder Theater. It’s “Ornette: Made in America,” to be screened in the mid-stream days of UCLA ...

L.A. billboard update

Film · Visual arts
Trolling Sunset Boulevard (which is normally a lot of fun) got an added boost in the form of this huge placard, an open birthday card to Zsa Zsa Gabor, who is now resting at home in Beverly Hills.  Zsa Zsa’s main squeeze, aka Prince Frederic von Anhalt, enjoys using billboards as a means of self-expression. ...

Russ recalls Rusty Tamblyn, child star of GUN CRAZY @ UCLA Film & Television Archive

Film
“I never owned one and could care less about guns,” said the gentle-spirited Russ Tamblyn before a sold-out house at the Billy Wilder Theater on Friday night. The conversation with Shannon Kelley, Director of Public Programs for the UCLA Film & Television Archive, followed a screening of cult-classic, GUN CRAZY (Monogram Pictures, 1950). Tamblyn, then ...

“Gun Crazy”‘s Russ Tamblyn in person @ UCLA Film & Television Archive

Film
Super looking forward to Friday night at the Billy Wilder Theater for a screening of Joseph H. Lewis’ GUN CRAZY at UCLA Film & Television Archive.  The film noir cult classic is a stylish example of the doomed-lovers-on-the-lam prototype; it anticipated “Bonnie and Clyde” two decades hence. The screening of “Gun Crazy” opens the UCLA ...

Matt (Harold Henry) Mattox, memorialized 1

Dance · Film · Theater
by 
MATT (Harold Henry) MATTOX b. Tulsa, Oklahoma, USA, August 18, 1921 d. Perpignan, France, February 18, 2013 “I’ve never classified myself as a jazz teacher, I prefer to talk about ‘free-style dancing,’ which means I have a choice of movement for any piece of music,” said Mattox in a 1993 interview. To prepare for his ...

Matt Mattox (1921-2013) leads off in “Lonesome Polecat” 5

Dance · Film
Big guy Matt Mattox leads off his “brothers” in this lovely unhurried number choreographed by Michael Kidd for SEVEN BRIDES FOR SEVEN BROTHERS (MGM, 1954). The precision! Matt’s mournful singing, “Can’t make no vows … to a herd of cows” is dubbed in the movie by Bill Lee. Like this? Read more: Matt Mattox, memorialized ...

In memorium: Matt Mattox from ‘Seven Brides for Seven Brothers’

Dance · Film
SEVEN BRIDES FOR SEVEN BROTHERS (1954) / MGM / LES SEPT FEMMES DE BARBEROUSSE / FRANCE / ARTIST: ROGER SOUBIE Enchanting Jane Powell marrying reclusive rancher Howard Keel is the catalyst for his six brothers following suit in a rollicking athletic courtship, inventively choreographed by Michael Kidd, and visualized by France’s most prolific poster artist, Roger ...

Connoisseur collection of dance-movie posters grace Barnsdall exhibit 1

Dance · Film · Visual arts
“I was born with a poster gene! When I was a kid I used to ‘color in’ the New York Times (black & white) print ads for theater. When I saw the poster, I’d compare their color choices [to mine].” Collector Mike Kaplan offers this charming anecdote in explanation for a lifelong obsession as we ...