Rod Alexander’s “The Birth of the Blues” dance number rediscovered 3

Dance · Film
Please, please God, don’t let the world blow up before Sunday night. Because Sunday night at 9 pm, I get to see choreographer Rod Alexander‘s brilliant dance number, “The Birth of the Blues” from THE BEST THINGS IN LIFE ARE FREE (20th Century-Fox 1956), at CINECON Classic Film Festival — in a new 35mm print, ...

Nicholas Brothers ballistic on silver screen 1

Dance · Film
Joy to the world, the place to be at 4:30 this afternoon was the balcony of the Egyptian Theater, a spot that offered prime viewing, on opening day of CINECON Classic Film Festival, of DOWN ARGENTINE WAY (1940). The über-fun Betty Grable/Don Ameche technicolor south-of-the-border extravaganza from 20th Century-Fox was Grable’s first headlining role at ...

Chakiris, a cut above the rest 1

Dance · Film · Theater
The camera catches a gang of gypsies rehearsing, in 1958, at New York’s Winter Garden theater before shipping overseas to perform in West Side Story’s second cast in London. Front and center is “West Side”s choreographer Jerome Robbins, running the “Cool” number with its inimitable finger snaps. Foremost in this group, a cut above the ...

BYOB: Diavolo brings bowl to the Bowl

Architecture & Design · Dance · Music
The Hollywood Bowl’s historic band shell, the object of community affection as well as architectural dispute over the years, gets an ultimate homage when Diavolo Dance Theater installs its own version, a huge fiberglass replication, on the huge stage. It’s part of the September 5 world premiere of “Fluid Infinities,” performed by the architectural movement ...

Oscar was a dancer 2

Dance · Film
This amusing photo of Oscar-winning dancer George Chakiris (Best Actor in a Supporting Role, “West Side Story,” 1962) and dance critic Debra Levine taken by Dana Ross last Saturday night at “Oscars Outdoors” sparked an email from Hollywood dance expert Larry Billman. Writes Larry, “The “original Oscar” was a dancer named Emilio Ferandez who modeled ...

At “Oscars Outdoors,” gentlemen still prefer blondes 1

Dance · Film
It was a super-special 60th anniversary screening, at the Academy of Motion Picture Arts & Science’s “Oscars Outdoors” summer series, of 20th Century-Fox’s comic classic from 1953, “Gentlemen Prefer Blondes,” the movie that blasted off the career of Marilyn Monroe. And the flick’s funnier than ever. Lead actresses Monroe and Jane Russell zing out hilarious ...

George Chakiris to introduce GENTLEMEN at Academy; Debra Levine to discuss Jack Cole

Dance · Film
Sixty years after appearing as a chorus dancer behind Marilyn Monroe in “Diamonds Are A Girl’s Best Friend” George Chakiris will host the Academy’s “Oscars Outdoors” screening of GENTLEMEN PREFER BLONDES Saturday night, August 3, 2013. In the photo at right we see George, a young man with fake grey highlights spraypainted in his hair. ...

El Cid endures … powered by fifty years of flamenco

Dance
It was heady, returning to Los Angeles after two weeks out of town, to drive directly from LAX and drop down — and I mean literally drop down a double staircase into a ravine off Sunset Boulevard and land at El Cid, the venerable Spanish-themed restaurant and live music venue, located in Los Angeles’ Silver ...

That pink dress! Costuming Marilyn Monroe for “Diamonds”

Dance · Fashion · Film
At right, Travilla‘s design for Marilyn’s iconic pink dress in “Diamonds are a Girl’s Best Friend” from GENTLEMEN PREFER BLONDES (1953) whose 60th anniversary we are honoring with a screening at the Academy’s “Oscars Outdoors” series Saturday August 3. The classy pink dress, lined with felt, was a replacement design for an original, much less ...

Recommended: “Never Stand Still” on Great Performances Friday night

Dance · Film
An award-winning documentary on the influence and importance of Jacob’s Pillow Dance Festival will broadcast on PBS Friday night. Legendary dancers and choreographers appear alongside new innovators to reveal the passion, discipline, and daring of the world of dance in Never Stand Still, directed by Ron Honsa. This documentary, filmed at the Pillow and narrated by Bill ...