New York City Ballet on your teevee, by way of Madrid

Dance
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Once upon a time, USA television viewers could take for granted that the nation’s leading dance companies be showcased on television, thanks to the seminal Dance in America series on PBS. It was great while it lasted, but eventually dance programming became a rarity on PBS. Their Great Performances series broadcasts ten or more of ...

What would Pavlova do? Ask Tiler Peck, soon at The Soraya!

Dance
Ed. note: This story by Debra Levine, commissioned and previously published by the Younes & Soraya Nazarian Center for the Arts, is reprinted with permission. The similarities are uncanny. By 1913, Anna Pavlova, the eternal exemplar of classical-ballet artistry, having danced with the Russian Imperial Ballet and, briefly, with Diaghilev’s Ballets Russes, took a handful ...

Boy, uninterrupted: Choreographer Alexei Ratmansky in new biography 3

Dance · Reviews
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alexei ratmansky, center, rehearses the sleeping beauty: from rosalie o’connor photo The Boy from Kyiv: Alexei Ratmansky’s Life in Ballet, Marina Harss’s biography of one of the world’s most active choreographers, is just exactly that: a beautifully written, close examination of the many ways in which the 55-year-old artist’s work and life are intertwined. Moreover, her ...

SoUNDz’ of Savion, at The Soraya

Dance
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Ed. note: This story by Susan Reiter, commissioned and published by the Younes & Soraya Nazarian Center for the Arts, is reprinted with permission. Savion Glover has been in the spotlight on stage and screen since an impossibly young age. In his third appearance at The Soraya, on October 7, the one-of-a-kind tap virtuoso brings ...

artsmeme to glimpse CAP-UCLA ‘Nimoy’ the erstwhile Crest Theatre

Architecture & Design · Dance · Music · Theater
photo courtesy chris nichols for los angeles magazine Named in honor of artist, actor, director and philanthropist Leonard Nimoy, The Nimoy is a reimagining of Westwood’s historic Crest Theatre, acquired by UCLA in 2018 and since renovated into a flexible 300-seat off-campus performing arts space. The show artsmeme will attend features performances by Grammy Award-winning ...

Movin’ & groovin’: Black teen dance shows of ’50s, early ’60s

Dance
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Teenage dancers on the set of Teenage Frolics (Raleigh, NC), ca. 1960. Courtesy of Yvonne Lewis Holley. Ed. note: artsmeme is delighted to share the second of three excerpts from an marvelous new book by author Julie Malnig. Dancing Black, Dancing White: Rock ‘n’ Roll, Race, and Youth Culture of the 1950s and 1960s (Oxford ...

A.I.M. by Kyle Abraham, in third foray to Long Beach’s Carpenter Center

Dance
a choreographer of our timekyle abraham, courtesy u.s.a. today That the MacArthur Genius Award-winning choreographer Kyle Abraham could bring his dance wares to any stage in Los Angeles — as he has in the past — is an understatement. We’ve seen him at UCLA; last year at The Soraya; and at The Wallis. This season, ...

A Martha Graham/Agnes de Mille meet-up in the 21st century 5

Dance
in photo kathleen tovar, center, victor barbee, john gardner, american ballet theatre Ed. note: This story by Debra Levine, commissioned and previously published by the Younes & Soraya Nazarian Center for the Arts, is reprinted with permission. During the Second World War, with American men losing their lives in the overseas fight against fascism, Agnes ...

Cowgirl lassos Metropolitan Opera House 2

Dance
 In 1942, the Ballet Russe de Monte Carlo, which, during the European war, toured in exile extensively across the American heartland, en route picked up marvelous dancers and dances. Following the success of Eugene Loring’s Billy the Kid (1938) for Ballet Caravan, the Ballet Russe invited Agnes de Mille to create yet another Americana-themed work, ...

Meet Ernest Belcher’s prize pupil, Pola Negri 2

Dance · Film
News of the digital restoration of The Spanish Dancer (1923) by Milestone Film & Video and the Eye Film Museum caught our fancy for several reasons. The silent movie is promoted as a “great romance epic,” and gosh, you can never get enough of that, right? In its making, director Herbert Brenon employed a “cast ...