From darkness, a new dance film @ Dance on Camera virtual festival 2

Dance · Film · Reviews
by 
Peggy Baker was a memorably striking and unusual dancer during her years performing with Lar Lubovitch‘s company. Tall, powerful, seemingly gawky, with lashing limbs, she was never a pretty figure onstage, but more of an energized force field. After spending most of the 1980s with Lubovitch, she was invited to be part of the unique, ...

Review: ‘West Side’ Video

Dance · Reviews · Theater
by 
Shereen Pimentel, Isaac Powell and cast. photo: Jan Versweyveld Broadway’s current revival of West Side Story—the groundbreaking 1957 musical by Jerome Robbins, Arthur Laurents, Leonard Bernstein, and Stephen Sondheim whose dramatic power has long been associated with kinetic energy and eloquently focused movement opens simply. The Jets saunter to the front of the vast, bare ...

Review: ‘Mack & Mabel,’ reunited, at City Center

Reviews · Theater
by 
Many regular attendees of New York City Center Encores! have been waiting – possibly since the series’ 1994 inception – for Mack & Mabel, a 1974 Broadway flop (it closed after 66 performances) that boasts one of Jerry Herman‘s strongest, most compelling and beloved scores. The invaluable series’ primary mission is to bring back musicals ...

REVIEW: Twyla’s back and Herman’s got her, in ABT’s ‘A Gathering of Ghosts’

Dance · Reviews
by 
Aran Bell, Calvin Royal III and Catherine Hurlin in Twyla Tharp’s A Gathering of Ghosts. Photo: Rosalie O’Connor. Twyla Tharp is back working with American Ballet Theatre. So for at least one evening — Wednesday’s much-anticipated premiere of her new ballet at the David Koch Theater — all seemed right with the world. Her prior ...

REVIEW: Sara Mearns’ deep dance-dig at the Pillow

Dance
by 
Sara Mearns in Christopher Williams’ excerpt from “Daphnis & Chloé​” Being present for the career arc of a singularly distinctive and memorable dancer is a wonderful privilege. And it’s been a privilege to observe the initial 15 years of Sara Mearns’ career on our dance stages. Primarily, she is a leading light of New York ...

REVIEW: A ‘Royal’ August at the Joyce Theater

Dance · Reviews
by 
Calvin Richardson, Joseph Sissens in Christopher Wheeldon’s “Within the Golden Hour” The Royal Ballet has come to town – or rather, a small but potent ensemble of eight Royal Ballet dancers, who have taken up residence at the intimate Joyce Theater for the first of four Joyce Ballet Festival programs. Curated by RB artistic director ...

REVIEW: ‘I Married An Angel’ at City Center’s Encores!

Dance · Music · Reviews · Theater
by 
Sara Mearns, Mark EvansRodgers & Hart’s I Married an Angel Director-Choreographer Joshua Bergasse Over the past few seasons Sara Mearns has found a home at City Center for projects outside of (and sometimes very far removed from) her “day job” as one of New York City Ballet’s leading ballerinas. At Fall for Dance she has ...

Jerry’s kids, and grandkids, revel in ‘Jerome Robbins’ Broadway’

Dance · Theater
by 
“Jerome Robbins’ Broadway 30th Anniversary Celebration,” a lovingly assembled, heartfelt 90-minute program presented in the Guggenheim Museum’s “Works & Process” series, was several events bundled into one. It was a loving coda to the Jerome Robbins Centennial; an enthusiastic alumni reunion; and a celebration of a landmark Broadway production exactly 30 years after its opening ...

Balanchine goes global in City Center festival

Dance · Reviews
by 
The elegant brochure and historical resonance of Balanchine: The City Center Years generated great promise as a highly anticipated event marking the 75th anniversary of midtown Manhattan’s richly dance-historic theater. The six-performance festival (Oct 31 – Nov 4, 2018), which showcased an array of landmark Balanchine works performed on the stage where nearly all had ...

REVIEW: The Suzanne Farrell Ballet’s farewell bid @ The Kennedy Center 1

Dance · Reviews
by 
Forever Balanchine: Farewell Performances The Suzanne Farrell Ballet Kennedy Center Opera House, Washington, D.C. December 7 – 9, 2017 The repertory for “Forever Balanchine” – the final, bittersweet four-performance season of The Suzanne Farrell Ballet – resonated deeply and on many levels. At the Saturday matinee (the same program as Thursday’s opening night, but with ...