Lizabeth Scott @ the Academy 5
Jun
29
2010
Co-published on Huffington Post arts page. Monday night’s edition of the Academy’s first-rate full-summer film series, “1940s Writing Nominees from Hollywood’s Dark Side,” now at mid-schedule, enjoyed the tremendous pleasure of a guest appearance by actress Lizabeth Scott. The heavy-browed, sultry-voiced Scott graced 22 movies, primarily film noirs made between 1945-57 in which she played ...
Jane Russell remembers “Gentleman” Jack Cole 3
“Yes,” answered Jane Russell last Wednesday evening, nodding emphatically when asked if choreographer Jack Cole had directed the dance sequences in Howard Hawks’s “Gentlemen Prefer Blondes” (1953). Russell’s brown eyes flashed and she became animated on hearing Cole’s name. The brunette bombshell of the 1940/50’s, appearing at a Hollywood Heritage event this past week, chatted ...
Classical theater, California-style
Two wonderful recent theater outings in L.A., both highly recommended. There’s only one more weekend to skedaddle to the delightful 24th Street Theatre for final performances of “Anton’s Uncles,” which the effervescent creative team of Debbie Devine and Jay McAdams co-produced with Theatre Movement Bazaar‘s ex-Mummenshantz word-and-movement mavens, Tina Kronis and Richard Alger. I had ...
Legendary dancer/director Arthur Mitchell visits L.A. 1
In tandem with the soon-to-close “40 Years of Firsts,” a loving and comprehensive art gallery retrospective of Dance Theatre of Harlem, Arthur Mitchell, the troupe’s artistic director emeritus, will appear at the California African American Museum the evening of June 30. The multimedia exhibit, organized by the New York Public Library for the Performing Arts, ...
John Waters celebrates Johnny Mathis
Sixties singer Johnny Mathis‘s name has popped up in surprising ways recently. DJ Josh Kun spun the velvet-voiced crooner’s version of “Kol Nidre” at “Get Down, Moses,” Kun’s Jewish/African-American “listening party.” Then, John Waters, the witty, loquacious, and dapper film director, cited Mathis as one of his key “role models.” It happened at an ALOUD ...
merce misha mashup 2
“Farewell Merce Cunningham Dance Company” weekend in Los Angeles was capped by a bonus performance in which Mikhail Baryshnikov appeared with the company. It was a fundraiser for the Cunningham Dance Foundation’s “Legacy Project” and REDCAT. Charles Atlas, with whom the choreographer collaborated on multiple video projects over thirty years, presented his film homage to Merce — ...
Merce’s marvelous Irish jig 3
Co-published on Huffington Post arts page “It was unutterably moving to watch,” said long time company archivist David Vaughan of the historic reconstruction of “Roaratorio” (1983) that graced Merce Cunningham Dance Company’s fare-thee-well performances at Walt Disney Concert Hall this weekend. “We all feel Merce in the dance.” Indeed, watching company elder Robert Swinston, 60, ...
Skirball’s “Get down, Moses” listening party
The “listening party” — a groovy event in which cultural anthropologist Josh Kun spins discs to illustrate the complex historic relationship between African-American and Jewish popular music — had serious naming issues. Kun launched it as “Black Sabbath.” It got changed to “Go Down, Moses.” Then, some genius in the Skirball Center p.r. department tweaked ...
The satin sound of Johnny Mercer
While I was recovering from knee surgery, my buddy S.V. brought me recuperation DVDs — among them “The Dream’s On Me,” documentarian Bruce Ricker’s film homage to lyricist/composer Johnny Mercer. [The documentary, executive-produced by Clint Eastwood, airs from time to time on TCM.] Mercer, a tireless music maker of the highest order (by the way, ...