MoMA to bring Chakiris, arts·meme for talks, screenings Oct 26-27 4

Dance · Film · Visual arts
A wonderful celebration of Los Angeles cultural history soon kicks off the Museum of Modern Art’s 12th annual “To Save and Project” film preservation festival. Three events, each related directly or indirectly to Hollywood dance history, will highlight the Festival’s opening weekend. The first, Sunday October 26, 2014, is an interview with dancer-actor George Chakiris ...

James Cagney studied ballet with Kosloff 5

Dance · Film
In my soon-published long essay, “Theodore Kosloff and Cecil B. DeMille Meet Madam Satan,”* I write as follows: James Cagney, too, studied ballet with Kosloff, or so the actor-hoofer let drop to the Los Angeles Times in January 1938. Cagney confessed that he was training for a pet project: playing Nijinsky in a bio-pic. (This ...

Ivan Kirov, the dancing star of “Specter of the Rose”

Dance · Film
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“I’m no good. I’m just some muscles that can dance. The rest of me is rubbish — broken glass and rubbish.” So self-describes the lead character, Andre Sanine, of “Specter of the Rose” (1946, Republic Pictures). He’s mouthing writer-producer-director Ben Hecht’s lurid and kitsch-adjacent movie dialogue. Hecht created “Specter” in a couple of weeks, for ...

“Oklahoma!” choreographer, Agnes deMille, appreciated 2

Dance · Film · Theater
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TCM Classic Film Festival 2014 opens Thursday April 10, 2014, with a screening of “Oklahoma!” at Grauman’s TCL Chinese Theatre. Shirley Jones, the film’s star, will be honored. Let’s learn about “Oklahoma!”‘s great choreographer who transferred groundbreaking stage choreography to the screen in 1955. AGNES (George) deMILLE b. Harlem, New York, Sept 18, 1905 d. ...

Kosloff, unfurled

Dance · Film
He worked for two of the greatest arts titans of the 20th century: Ballets Russes impresario Sergei Diaghilev and Hollywood director Cecil B. DeMille. After a long career as a silent movie actor, Theodore Kosloff made his final film appearance in DeMille’s “Madam Satan,” DeMille’s failed movie musical created on the cusp of the Depression. ...

Radio celebrates ballet man Theodore Kosloff

Dance · Language & ideas
This cool guy is John Rabe. As host of KPCC-Pasadena’s “Off Ramp,” Rabe captures a mixed bag of hip stories in radio’s radiant realm as they tumble forth in the wee village of Los Angeles. This Saturday, March 8, at high noon, on 89.3 on your FM-radio dial [repeats Sunday 6 pm] Rabe’s “Off Ramp” ...

Cecil B. DeMille’s “Madam Satan,” dance-dissected, March 15 5

Dance · Film
Delighted to announce my talk, “Theodore Kosloff & Cecil B. DeMille Meet Madam Satan” concerning the notorious early talkie-musical, co-sponsored by the American Cinematheque and the Art Deco Society of Los Angeles. The “illustrated lecture” is slated for Saturday March 15, 2 pm, coupled with a screening of MADAM SATAN (MGM, 1930), at the Egyptian ...

By 1916, ballet dancer Theodore Kosloff was a vaudeville veteran 1

Dance
From the Mariinski to the Bolshoi to the Ballets Russes … and then, across the pond, to Onion the Trick Pony … Theodore Kosloff was a trouper in American vaudeville. HIs first steps on the vaudeville stage occurred in 1910. A tour on the premier “circuit” — the ‘Keith-Orpheum’ circa 1916 — brought him to ...

Nana Gollner memories

Dance
  Concerning Metropolitan Opera Ballet prima Nana Gollner (1919-1980), who was trained by Theodore Kosloff, Malcolm McCormick, co-author, with Nancy Reynolds, of “No Fixed Point: Dance in the 20th Century,” said, “Nana Gollner was important in her day. She was the first American ballerina to be accepted abroad, she was strong left-handed dancer, she converted ...

The temerity of Tamara, at Golden Legend Gallery 1

Dance · Visual arts
We recently heard from arts·meme friend, Gordon Hollis, proprietor of Golden Legend Gallery in Beverly Hills who alerted us to a unique print in a rare book he is handling.  Svetlov, Valerien. Thamar Karsavina. London: Beaumont, 1922. First edition. No. 16 of 120 copies, specially signed by Karsavina, with hand-tinted illustrations, and specially bound in ...