The most interesting guy out there, an Israeli-born dance maker who came out of Ohad Naharin’s shop at Batsheva Dance Company. His “Violet Kid” took Cedar Lake Contemporary Ballet to another level. Read my review in the Los Angeles Times.
I’ve seen Israeli choreographer Ohad Naharin’s “Minus 16,” in its various bits and pieces, components and rehashes, on Batsheva Dance Company (his home base), Cedar Lake Contemporary Ballet, and most recently on a gang of Cal Arts dance students. But what a wild trip, tonight in Costa Mesa, watching Alvin Ailey American Dance Theater try ...
Paul Taylor oversees Alvin Ailey “Arden Court” rehearsal. Photo by Andrea Mohin/The New York Times, companion to Gia Kourlis’ piece On tap during the upcoming seven-performance roster of Alvin Ailey American Dance Theater in Orange County: a juicy line-up of works by primarily American choreographers — we really like that and we include Ohad Naharin ...
The big event of a busy fall season has been the historic reconstruction of Anna Halprin‘s “Parades & Changes,” an influential landmark of postmodern dance dating from 1965-67 featuring a soundscore by electronic music pioneer Morton Subotnick. The piece builds on improvisation on a set of movement “scores” — a Halprin key word that she ...
The golden light in which gifted choreographer Ohad Naharin bathes his all-female quintet in “Decadance” is Mediterranean. It brings to mind the color of the air when frenetic Tel Aviv calms itself in the withering heat of the afternoon sun. Visions of Israel inevitably surface while watching “Decadance” Naharin’s perennial greatest-hits collection of choreographic output ...
This photograph is from a dance work called Shalosh (Hebrew for “three”) by Israeli choreographer Ohad Naharin. I love the photo. I like the skinny, long-legged girls. I like the nervous tension, the skewed angles, and the extreme tilt of the head. Here is a choreographer who has found new ways of moving. He has reinvented the ...