1791 was a very good year, says the Los Angeles Philharmonic

Music
Not loving 2017? The Los Angeles Philharmonic has a solution for that. Our symphony orchestra is offering a visit to Walt Disney Concert Hall — that’s already a nice escape — with an added fillip, the delicious prospect of traveling back in time. The year is 1791, the final one of Mozart’s life. It was ...

Mozart’s magic to mend regrettable U.S.-Cuban cultural rift

Music
A truly inspirational story on the cusp of Inauguration Day comes from Sony Classical music. It’s a new album release, April 21, by pianist Simone Dinnerstein playing Mozart concerti with the Havana Lyceum Orchestra. In June, the Orchestra will also make its American debut in a series of concerts, the first time an orchestra of ...

Classical audacity at The Broad

Music
by 
There are three extraordinary opportunities to experience daring, innovative classical music at The Broad Stage this fall. First, the Isango Ensemble of South Africa re-imagines Mozart’s The Magic Flute. Then the local, stellar, Calder Quartet will perform twice, once with soprano Yulia Van Doran and then with film composer Bear Mcreary. The best Mozart operas ...

Mozart @ 18 in Glyndbourne’s “La Finta”

Music · Reviews
by 
Haven’t heard of La Finta? Not to worry, few people have. Written when the composer was but 18 years old and very (very) rarely performed, the anonymous text is primarily to blame: The Podesta (Mayor) is in love with his new gardener Sadrina, which is too bad for the servant Serpetta who more than fancies ...

ENO ‘Cosi’ conjured at Coney Island

Music
by 
How do you solve a problem like Cosi — Mozart’s Job-like musical glory of messing with the minds of two women on a bet, just to prove that they’re “like that”? In the words of Peter Sellars, prior to his revisionist diner production more than twenty years ago: “Is this the most offensive anti-feminist opera ...

Coens recycle musical rivalries in “Inside Llewyn Davis”

Film · Language & ideas
The closing moments of the Coen Bros “Llewyn Davis” distinctly refer to a struggle between two artistic strivers; the rapidly imploding and unsuccessful Llewlyn, a fictional character, eclipsed by a real-life rival who burned brighter — Bob Dylan. The film also hearkens an earlier aristic rivalry between a bright star and a perpetual under dog: ...