“In Wonderland: Surrealist Adventures of Women Artists in Mexico and the United States” closes, unfortunately, on May 6, 2012. Would that it were a permanent exhibit at LACMA. [...]
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26 October 2011 
An overview of Pacific Standard Time events by arts writer Liz Goldner. [...] 4 October 2011 
Michael Govan continues his empire-building, this time in tandem with board member Terry Semel who clocked in impressive silence when the city was up in arms over the cancellation of the classic film program. (now defunct). Never one to rest on his laurels, the industrious Mr. Govan, through Mr. Semel, now announces a film museum on the campus. Erected on the ashes of the vanquished 41-year running classic film program? [...] 1 August 2011 
Why can’t museum curators write cogent titles for their shows? The pretentiousness starts with the exhibition title. [...] 21 July 2011 
For the last screening, upcoming on July 30, of the LACMA weekend classic film series which was begun 41 years ago and overseen by Ian Birnie for the last 15, Ian has selected Yasujiro Ozu’s “Late Autumn.” [...] 6 April 2011 
LACMA Director Michael Govan made a brief positive statement on the revamped film program which will launch at the museum in the fall. [...] 6 April 2011 A new, sponsored, weekly film program emerges at the Los Angeles County Museum. [...] 6 April 2011 
Despite waiting patiently for nearly two years now for a hero to underwrite LACMA’s film program, no funds have been forthcoming, leaving the film program vulnerable. Meanwhile, the director’s pet programs advance. [...] 15 November 2010 
Bad-boy Coagula Art Journal editor and HuffPo blogger Mat Gleason posits the naming possibilities for Uncle Eli’s swank new warehouse for his bulging contemporary art collection. [...] 9 November 2010 Photographer Eggleston was a color specialist. His use of a color dye transfer process forged the field of color photography that before him was relegated to advertising or family snapshots. No one shot color. The big guys, Edward Weston, Ansel Adams, were black and white men. [...] |
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