Five of Yvonne Rainer’s early, b/w, all-silent, experimental films, dated 1966 – 69, transfer components of fine dance composition to film. Rolling out in delicious anti-time and shot in a granular black and white, the director deploys a choreographer’s skill in maneuvering time, space, and object. [...]
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       gered mankowitz, photog, 1967      “the red danube” (1949)   |
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eisenstadt,
