Jack Cole’s “Hindu Swing” revisited by Namita Kapoor

Dance
We have been delighted to be in touch with fellow Jack Cole fantatic Namita Kapoor, a talented American dancer/choreographer and graphic designer who has found cultural connection in an odd (but awesome) phenomenon of nightclub culture from the late 1930s – 1950s. That is, Jack Cole’s mash-up of classical Indian dance with American jazz rhythms. ...

Meet Marc Platt, stage & screen dancer 2

Dance
by 
Born ‘Marcel Emile Gaston Leplat’ in Pasadena, California, on December 2, 1913, Marc Platt’s passion (and training) for classic dance started at an early age. The son of concert artists, he began studying dance with Mary Ann Welles in Seattle, at age 12, when after watching her class he declared: “I could do that.” They let him ...

Something to celebrate: Marc Platt turns 100! 4

Dance · Film
One of the greats, Marc Platt, a veteran of the Ballets Russes de Monte Carlo (as Marc Platoff), Agnes de Mille’s original Broadway cast of “Oklahoma,” “Seven Brides for Seven Brothers” and “Tonight and Every Night,” just turned 100. And his friends are throwing a party him in northern California this weekend. Dance lovers invited! ...

Susan Marshall’s fetishized femmes

Dance · Film · Ideas & Opinion
“Stop,” created by choreographer Susan Marshall, is a music video featuring an original score by Pulitzer prize-winning composer David Lang, played by members of the electric guitar quartet Dither and Mantra Percussion. “Stop” is a virtual companion piece to Susan Marshall & Company‘s new dance performance Play/Pause, which the Center for the Art of Performance ...

In last night’s “Emmys” dance number, gloved arms by Jack Cole 1

Dance
In last night’s Emmy broadcast, dance maker Spencer Liff opened his “Number in the Middle of the Show,” with a filip right out of Jack Cole’s playbook: black opera-length gloved arms reaching through holes in a wall … a distinctive design element that Cole used repeatedly. Below, he uses it in “Tars & Spars” (1946) ...

At “Oscars Outdoors,” gentlemen still prefer blondes 1

Dance · Film
It was a super-special 60th anniversary screening, at the Academy of Motion Picture Arts & Science’s “Oscars Outdoors” summer series, of 20th Century-Fox’s comic classic from 1953, “Gentlemen Prefer Blondes,” the movie that blasted off the career of Marilyn Monroe. And the flick’s funnier than ever. Lead actresses Monroe and Jane Russell zing out hilarious ...

George Chakiris to introduce GENTLEMEN at Academy; Debra Levine to discuss Jack Cole

Dance · Film
Sixty years after appearing as a chorus dancer behind Marilyn Monroe in “Diamonds Are A Girl’s Best Friend” George Chakiris will host the Academy’s “Oscars Outdoors” screening of GENTLEMEN PREFER BLONDES Saturday night, August 3, 2013. In the photo at right we see George, a young man with fake grey highlights spraypainted in his hair. ...

That pink dress! Costuming Marilyn Monroe for “Diamonds”

Dance · Fashion · Film
At right, Travilla‘s design for Marilyn’s iconic pink dress in “Diamonds are a Girl’s Best Friend” from GENTLEMEN PREFER BLONDES (1953) whose 60th anniversary we are honoring with a screening at the Academy’s “Oscars Outdoors” series Saturday August 3. The classy pink dress, lined with felt, was a replacement design for an original, much less ...

Gene Kelly’s witty number in “It’s Always Fair Weather” 5

Dance · Film
We enjoyed watching  “It’s Always Fair Weather” (MGM, 1955, co-dir: Gene Kelly, Stanley Donen) recently on Turner Classic Movies. The song-and-dance number in the video above, Thanks a Lot, But No Thanks, bears much influence of Jack Cole (he, too, worked with Gray, coaching the non-dancer in “Kismet” and “Designing Woman,” both at MGM). So ...

How a genius choreographs: Jack Cole’s “Beale Street Blues” 2

Dance · Film
In this 30-second snippet from the men’s dance in “Beale Street Blues,” one of Jack Cole’s three great dance numbers from THE I DON’T CARE GIRL (Fox, 1953), the work of a brilliant dance maker is on display. It’s a game of craps gone wrong. It gets played out on a platform, ostensibly  (my reading) ...