arts·meme guest writer Doug Cummings previews LACMA’s upcoming film series: Martin Scorsese is a valued friend of the film program at Los Angeles County Museum of Art (LACMA); he’s also a friend to cinephiles everywhere through his pioneering organizations devoted to film preservation, The Film Foundation (formed in 1990) and the World Cinema Foundation (formed ...
How pleasant to stroll onto the campus of the Los Angeles County Museum of Art, and travel in time and space to Italy of the 1950s — and totally avoid LAX. At LACMA we enjoyed Michelangelo Antonioni’s “Le Amiche” (“The Girlfriends,” 1955), the great Italian director’s refined social melodrama. The film depicts the world of ...
We’re midway through Ian Birnie’s weekend film retrospective of the American-made comedies of Ernst Lubitsch at LACMA. Last weekend, we levitated in pleasure under the spell of “Design for Living“ (1933), the sophisticated German-born film director’s version of the Noel Coward play. Two Americans sharing a flat in Paris, playwright Tom Chambers (Frederic March) and ...
Tonight at LACMA — the launch of Ian Birnie’s 16-film retrospective of the American-made comedies of Ernst Lubitsch. Both films run a dreamy 90 minutes long! Let’ s see how much great entertainment the German expat could pack into 1.5 hours. Nicola Lubitsch, the director’s daughter, will be in the house for a curtain talk. ...
LACMA film curator Ian Birnie has some great stuff coming up this month – a retrospective of the films of Italy-born, New York-raised cameraman Nicholas Musuraca, known for his atmospheric noir cinematography at RKO studios in the 1940s. Says Ian: “Musuraca is the third in my unofficial survey of noir cinematographers; the first was Stanley ...
We are truly April fools! It’s a topsy-turvy world … because the laid-back capital of the universe is on fire with film events this month. We in Los Angeles are sweating bullets trying to attend all the film festivals on offer in our city. For film alone, the April line-up is quadruple-booked. arts•meme’s good friend, ...
Who knew? . . . when the American film establishment was hyping Anthony Minghella’s The Talented Mr. Ripley (1999), that French director Rene Clement had filmed a superior version of Patricia Highsmith’s disturbing novel on location in Italy in 1960? And that Minghella’s version was a remake? Like, who knew that? I didn’t. arts•meme can’t ...