Darren Aronofsky’s “psychosexual thriller” is a hallucinatory horror, a paranoid fantasy pitting women against each other and against themselves. It shows us almost no ballet; the camera is usually jammed up against Natalie Portman’s lovely face or watching pinfeathers poke out of her shoulder blade. [...]
eisenstadt,
gered mankowitz, photog, 1967
“the red danube” (1949)
