“Diaghilev did not like the cameras. Indeed, strictly prohibiting the performance of his company were filmed, perhaps for fear that someone, without going to the theater, could see the breakthrough performances of his dancers.” [...]
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3 January 2011 
An important Ballets Russes costume retrospective at the Australian National Gallery features surrealist Giorgio de Chirico’s original costumes for “Le Bal,” an early Balanchine work to a Boris Kochno libretto. [...] 23 December 2010 
Darren Aronofsky’s “psychosexual thriller” is a hallucinatory horror, a paranoid fantasy pitting women against each other and against themselves. It shows us almost no ballet; the camera is usually jammed up against Natalie Portman’s lovely face or watching pinfeathers poke out of her shoulder blade. [...] |
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eisenstadt,
gered mankowitz, photog, 1967
“the red danube” (1949)
