Not since Dawn of the Dead did as stricken a posse of emaciated weirdos tromp before your eyes — all the better to experience, in real time, at REDCAT performance space. The stalwart black-box theater is rendered even darker by Avi Yona Bueno’s gorgeously murky lighting design for “House,” choreographer Sharon Eyal’s futuristic ballet for ...
Days after watching Batsheva Dance Company bring choreographer Ohad Naharin’s splendid full-evening work, “Sadeh21,” to vivid life in its U.S. premiere at the Center for the Art of Performance at UCLA, I am struck by the inadequacy of still photography in capturing the dance’s essence. The benign ring-around-the-rosy image, above, does not represent the multi-chaptered ...
To be or not to be, that was the question Center for the Art of Performance at UCLA artistic director Kristy Edmunds pondered in fashioning her arts-forward performance series for the 2014-15 season. So much so that the curator tilted in one direction: toward artists with names starting with the letter ‘B.’ Yes, a barrage ...
Gobs of personal courage and febrile movement invention were on display in her choreography, last night, in “Mouth to Mouth” for Ate9 dANCEcOMPANY at the Los Angeles Theatre Center. But my biggest fascination — and pleasure — came from a close-up look at Israeli-born-and-trained Danielle Agami as a dancer. Coiling amidst her wonderful “Ate9” gang ...
The renowned Israeli choreographer Ido Tadmor will visit Los Angeles next week for performances and workshops.
The most interesting guy out there, an Israeli-born dance maker who came out of Ohad Naharin’s shop at Batsheva Dance Company. His “Violet Kid” took Cedar Lake Contemporary Ballet to another level. Read my review in the Los Angeles Times.
This photograph is from a dance work called Shalosh (Hebrew for “three”) by Israeli choreographer Ohad Naharin. I love the photo. I like the skinny, long-legged girls. I like the nervous tension, the skewed angles, and the extreme tilt of the head. Here is a choreographer who has found new ways of moving. He has reinvented the ...