‘Hopscotch’ing through the Bradbury Building

Architecture & Design · Dance
Photographic memories of “Hopscotch,” a rolling (literally, in cars), city-wide site-specific opera performance that in one of its home bases — the regal Bradbury Building of downtown Los Angeles — dancers scampered ’round audience, even in a wrought-iron caged elevator. Intermingling in the photo with crew from The Industry are the dancers of Ate9 Dance ...

A chat with The Broad Stage’s new director Wiley Hausam

Dance · Music · Theater
Prominent in the crowded field of Los Angeles performing-arts houses is The Broad Stage, where a lively smorgasbord of arts offerings forged a high-profile presence since its debut — in an enviable Santa Monica location — in 2008. Wiley Hausam, a newcomer to Los Angeles, will soon take up the mantle of artistic and executive ...

Review: Under pink clouds, Music Center’s “Moves After Dark”

Dance · Reviews
by 
Dance critic Gillian Anne Renault contributes this review to arts·meme: As grey clouds turned pink Monday evening and a cool breeze dimpled the Mark Taper Forum pool, a powerful alto voice quieted the crowd for Moves After Dark, The Music Center’s inaugural, site-specific, mainly outdoor dance concert. The ambitious evening, well executed, proved a worthy ...

Review: Ate9 Dance & Fleck a pithy pairing @ REDCAT

Dance · Reviews · Theater
“It’s the second night of the third week of the 11th year of the New Original Works festival,” announced Mark Murphy, executive director of REDCAT performance space Friday night in a pre-show greeting of his audience. Surveying the full house of folk who track with emerging performance art, Murphy’s flickering smile seemed to convey, “But ...

Danielle Agami, dancer 1

Dance
Gobs of personal courage and febrile movement invention were on display in her choreography, last night, in “Mouth to Mouth” for Ate9 dANCEcOMPANY at the Los Angeles Theatre Center. But my biggest fascination — and pleasure — came from a close-up look at Israeli-born-and-trained Danielle Agami as a dancer. Coiling amidst her wonderful “Ate9” gang ...

Review: Danielle Agami’s “EXHIBITa” @ Celebrate Dance 2

Dance · Reviews
Think of a Robert Crumb cartoon strip — in all its gnarly, grotesque glory. That roughly equates to watching the weird and wonderful foot-parade choreographer Danielle Agami sent across the Alex Theatre stage last night at the ninth annual “Celebrate Dance.” Agami’s “EXHIBITa,” chock-filled with witty movement invention in its Los Angeles premiere, offered the ...