REVIEW: ‘A Raisin in the Sun’ @ A Noise Within

Reviews · Theater
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When A Raisin in the Sun was first performed on Broadway in 1959, it became a landmark. Playwright Lorraine Hansberry was the first African-American woman to author a Broadway play, and at 29, she became the youngest playwright to receive New York Drama Critics Circle Award for Best Play. While the setting of the piece ...

REVIEW: Keigwin + Company Celebrates Bernstein @ The Soraya

Dance · Reviews
Not one, but two, sweet-hearted, newly commissioned dance works by choreographer Larry Keigwin for his charming and excellent dance troupe, Keigwin + Company, had world premieres tonight in the classy, comfortable, and elegant Younes and Soraya Nazarian Center for the Performing Arts (The Soraya), formerly the Valley Performing Arts Center. The commissions came as part ...

REVIEW: The Suzanne Farrell Ballet’s farewell bid @ The Kennedy Center 1

Dance · Reviews
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Forever Balanchine: Farewell Performances The Suzanne Farrell Ballet Kennedy Center Opera House, Washington, D.C. December 7 – 9, 2017 The repertory for “Forever Balanchine” – the final, bittersweet four-performance season of The Suzanne Farrell Ballet – resonated deeply and on many levels. At the Saturday matinee (the same program as Thursday’s opening night, but with ...

LACMA ‘Found in Translation’ documents Mexi-Cali design dialogue 1

Architecture & Design · Reviews · Visual arts
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From Sacramento to San Diego, California’s Mexican and Spanish underpinnings are as historic as they are pervasive. We often take those connections for granted, but LACMA’s exhibition “Found in Translation: Design in California and Mexico, 1915-1985” offers a fascinating view of the influence and confluence between the two cultures in the 20th Century. It’s part ...

REVIEW: Kimin Kim brings action-hero explosiveness to Mariinsky Schéhérazade

Dance · Reviews
I admit that prior to Sunday night I had never seen a full-length, fully produced staging of Michel Fokine’s Schéhérazade — including lengthy orchestral prelude, sets, costumes, the works. The Mariinsky Ballet and Orchestra delivered their version this weekend at Segerstrom Center for the Arts as part of an all-Fokine program. At Sunday’s performance, the ...

REVIEW: Michelle Dorrance Dance @ The Wallis 1

Dance · Reviews
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The night before seeing Dorrance Dance at The Wallis in Beverly Hills I binge- watched Astaire and Rogers clips on YouTube. Such elegant technique! Two bodies moving as one in gauzy ballrooms. Dancing as if on air. In the 1930s and ‘40s, Fred and Ginger embodied love and luxury for a generation eager to escape ...

Review: Karen Sherman’s “Soft Goods” @ CAP UCLA

Dance · Reviews
As the Freud Playhouse lost its moorings and ran amok in the final harrowing minutes of choreographer Karen Sherman’s “Soft Goods,” presented Saturday night at UCLA’s Center for the Art of Performance, I’d be hard pressed to believe that the audience, too, did not become untethered. An out-of-control fog machine spewed smoke from stage to ...

REVIEW: ‘Bobbi Jene,’ life-and-love in contemporary-dance lane

Dance · Film · Reviews
Bobbi Jene Smith, Or Schraiber in “Bobbi Jene” Tropes and customs of the world of contemporary dance are on view in the new dance-documentary, Bobbi Jene, soon to open in Los Angeles. Rarefied and bizarre rituals, notably a naked dancer, that would be the titular Bobbi Jene, masturbating against a sandbag before a roomful of ...

Our review: TULIP FEVER from A to Z 1

Film · Language & ideas · Reviews
arts·meme friend and avid movie fan Owen Simon contributes a boiled-down film review that tours his gamut of emotions, from A to Z, for TULIP FEVER recently released by the Weinstein Company. Tom Stoppard’s screenplay depicts a 17th-century painter in Amsterdam who falls in love with a married woman whose portrait he has been hired ...

REVIEW: Savion Glover sizzling at the Ford 2

Dance · Music · Reviews
It is a Dance Criticism 401 assignment describing Savion Glover in performance — savagely fit, in top form, at his most forthcoming. Words fall short. Yet that is what we had at Saturday’s festive season-opener of the John Anson Ford Amphitheatre. The refurbished Ford’s long commitment to dance, season after season presenting local and visiting ...