Anna Halprin, Bill T. Jones, Hofesh Shechter

Dance · Reviews
The big event of a busy fall season has been the historic reconstruction of Anna Halprin‘s “Parades & Changes,” an influential landmark of postmodern dance dating from 1965-67 featuring a soundscore by electronic music pioneer Morton Subotnick. The piece builds on improvisation on a set of movement  “scores” — a Halprin key word that she ...

“La Danse” discount tix 2

Dance · Film
Laemmle Theaters in Los Angeles offers arts•meme subscribers a generous discount for  “La Danse,” Frederick Wiseman’s acclaimed ballet documentary. Film is now playing at Laemmle Theaters in Beverly Hills, Pasadena and Encino. Read the interview with director Frederick Wiseman. Update: Sorry, no more discount coupons. This once in a lifetime opportunity has expired! Maybe in your ...

Frederick Wiseman’s love letter to ballet 5

Dance · Film · Reviews
“I love ballet,” admits 79-year-old documentarian Frederick Wiseman, whose rigorous films on hospital management, meat processing, and public housing have given way to late-life examinations of art and the artistic process. “Dance is the creation of something absolutely beautiful,” he says. “Yet it’s not a fixed form. It’s ephemeral. It’s evanescent.” “I’m no expert,” he ...

Red hair, red shoes 2

Dance · Film
I recently attended a screening of The Red Shoes, the 1948 Michael Powell/Emeric Pressburger classic lovingly restored by UCLA Film and Television Archive, Martin Scorsese’s Film Foundation, British Film Institute, and others. This film’s huge blast of technicolor transforms red-headed Moira Shearer into an unspeakably firey, unearthly creature … her neat figure, fair complexion, and carrot top ...

Ballerina’s beautiful beach birthday bash 1

Dance · Film
Last year I wrote an article about former New York City Ballet ballerina Yvonne Mounsey coaching a young dancer, Melissa Barak, in the lead role of George Balanchine’s “Prodigal Son.” Mounsey danced the role in the early 1950s. By all accounts, she was an amazing, full-blooded dancer. She went on to become a great ballet ...

Yvonne Rainer, filmmaker 1

Dance · Film
As a dance writer, I approached Yvonne Rainer, filmmaker, with trepidation. But she is as highly regarded in the experimental film world as she is in dance. My apprehension was for naught having attended the first of an eight-part retrospective of Rainer’s film work at the L.A. Filmforum at the Egyptian Theater. The films are marvelous, even ...

Marilyn dances . . . 1

Dance · Film
The first man to impersonate Marilyn Monroe may well have been her dance coach, Jack Cole. Anticipating the iconic Marilyn, he brought out her exceptional femininity through dance. Monroe copied him in return. A star was born. Monroe’s six-movie collaboration with Cole began with 1953’s “Gentlemen Prefer Blondes,” the breakthrough film that made her a ...

Merce Cunningham (1919 – 2009)

Dance
It’s difficult to select a photo of Merce Cunningham. They are all so fabulous. Here’s an Annie Leibowitz portrait from 1994. Although I reviewed the company several times, I published only two feature pieces on Merce, one in 1984 in Hong Kong’s South China Morning Post, and another in La Opinion in 2005. I first studied ...

Twyla, Laura, and me 7

Dance · Reviews
When American women demanded, and then seized, social and sexual liberation in 1970, I was an intense 15-year-old high-school girl in suburban Pittsburgh. Feminism hit me hard and it formed me. I entered young womanhood with the lovely delusion that life would deliver every achievement and pleasure I sought. Five years later, having already burned through ...

Cedar Lake Contemporary Ballet

Dance · Reviews
The golden light in which gifted choreographer Ohad Naharin bathes his all-female quintet in “Decadance” is Mediterranean. It brings to mind the color of the air when frenetic Tel Aviv calms itself in the withering heat of the afternoon sun. Visions of Israel inevitably surface while watching “Decadance” Naharin’s perennial greatest-hits collection of choreographic output ...