Visions of Israel inevitably surface while watching “Decadance,” Ohad Naharin’s perennial greatest-hits collection of choreographic output since the 1980s. [...]
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24 June 2009 Dance review of Emanuel Gat, cool Israeli choreographer. [...] 16 June 2009 I am joining one dozen dance writers from across the country as a fellow at the 2009 National Endowment for the Arts “Dance Journalism Institute” held at the American Dance Festival at Duke University. [...] 14 June 2009 Alain Delon plays the sinister Tom Ripley in Rene Clement’s brilliant 1960 version of Patricia Highsmith’s “The Talented Mr. Ripley” called Plein Soleil. [...] 11 June 2009 To sit in the faded remains of downtown’s glamorous vintage theaters, chock-a-block with an excited, engaged, clapping, laughing, appreciative audience, watching classic films as they are meant to be projected is a fantastic experience. That’s the Last Remaining Seats. [...] |
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