Visions of Israel inevitably surface while watching “Decadance,” Ohad Naharin’s perennial greatest-hits collection of choreographic output since the 1980s. [...]
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29 June 2009
Visions of Israel inevitably surface while watching “Decadance,” Ohad Naharin’s perennial greatest-hits collection of choreographic output since the 1980s. [...] 25 June 2009
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Dance review of Emanuel Gat, cool Israeli choreographer. [...] 16 June 2009
Big news for arts•meme . . . and an honor. I am joining one dozen dance writers from across the country as a fellow at the 2009 National Endowment for the Arts "Dance Journalism Institute" held at the American Dance Festival at Duke University. Starts 20 June. Over the course of the three-week in-residence program, I expect to view and write [...] 14 June 2009
Alain Delon plays the sinister Tom Ripley in Rene Clement’s brilliant 1960 version of Patricia Highsmith’s “The Talented Mr. Ripley” called Plein Soleil. [...] 11 June 2009
I love the Los Angeles Conservancy’s Last Remaining Seats summer film festival on Broadway in downtown Los Angeles. Nothing in our city compares to it as a community event. (Lakers fans may disagree!) To sit in the faded remains of downtown’s glamorous vintage theatres, chock-a-block with an excited, engaged, clapping, laughing, appreciative audience, [...] |
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